Wikipedia

Four Weddings and a Funeral

Four Weddings and a Funeral is a 1994 British romantic comedy film directed by Mike Newell. It is the first of several films by screenwriter Richard Curtis to star Hugh Grant, and follows the adventures of Charles (Grant) and his circle of friends through a number of social occasions as they each encounter romance. Andie MacDowell co-stars as Charles's love interest Carrie, with Kristin Scott Thomas, James Fleet, Simon Callow, John Hannah, Charlotte Coleman, David Bower, Corin Redgrave, and Rowan Atkinson in supporting roles.

Four Weddings and a Funeral
UK theatrical release poster
Theatrical release poster
Directed byMike Newell
Written byRichard Curtis
Produced byDuncan Kenworthy
Starring
CinematographyMichael Coulter
Edited byJon Gregory
Music byRichard Rodney Bennett
Production
companies
Distributed byRank Film Distributors
Release dates
  • 20 January 1994 (1994-01-20) (Sundance)
  • 13 May 1994 (1994-05-13) (United Kingdom)
Running time
117 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£3 million[1]
($4.4 million[2])
Box office£218.5 milion
($245.7 million[2])

The film was made in six weeks, cost under £3 million,[1] and became an unexpected success and the highest-grossing British film in history at the time, with worldwide box office total of $245.7 million, and receiving Academy Award nominations for Best Picture and Best Original Screenplay. Additionally, Grant won the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the BAFTA Award for Best Actor in a Leading Role, and the film won the BAFTA Awards Best Film, Best Direction, and Best Actress in a Supporting Role for Scott Thomas. The film's success propelled Hugh Grant to international stardom, particularly in the United States.[3]

In 1999, Four Weddings and a Funeral was placed 23rd on the British Film Institute's 100 greatest British films of the 20th century. In 2016, Empire magazine ranked it 21st in their list of the 100 best British films.[4] A 2017 poll of 150 actors, directors, writers, producers, and critics for Time Out magazine ranked it the 74th best British film ever.[5]

Curtis reunited director Newell and the surviving cast for a 25th anniversary reunion Comic Relief short entitled One Red Nose Day and a Wedding, which aired in the UK during Red Nose Day on 15 March 2019.[6]

Plot

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On 1 May 1993, at the wedding of Angus and Laura in Somerset, the perpetually late best man Charles, his flatmate Scarlett, his aristocratic friend Fiona and her brother Tom, Gareth and his partner Matthew, and Charles's deaf brother David, all gather. All are unmarried. Charles forgets the rings and hastily borrows two from the congregation, which prove to be incongruous. At the reception, he makes a risqué speech and is attracted to Carrie, an American woman who has been working in England. They spend the night together. In the morning, Carrie, who is returning to the U.S., laments to him that they may have "missed a great opportunity".

Three months later, at the London wedding of Bernard and Lydia – who got together at the previous wedding – Tom is the best man. Charles is excited to run into Carrie, who has returned to the U.K. He is disappointed to meet Hamish, Carrie's older, wealthy Scottish fiancé. A young woman named Serena is attracted to David.

During the reception, Charles is humiliated by several ex-girlfriends. These include the distraught Henrietta, called "Duckface" by Fiona and whose brother was inadvertently insulted by Charles at the first wedding. Henrietta claims Charles is a "serial monogamist" fearful of commitment. Charles retreats to an empty hotel suite and sees Carrie and Hamish depart by taxi. Charles is temporarily trapped in the room when the newlyweds stumble in to have sex. Carrie returns to the reception; she and Charles spend a second night together.

A month later, Charles receives an invitation to Carrie's wedding to Hamish. While searching for a gift on London's South Bank, he runs into Carrie. Charles helps Carrie choose a wedding dress, after which she recounts her 33 sexual partners to him; Charles, who was number 32, awkwardly confesses he loves her, and Carrie gently rebuffs him.

A month later, Charles and his friends attend Carrie and Hamish's wedding in Perthshire. The flamboyant Gareth tells the group to seek potential mates. Scarlett meets Chester, a Texan. Henrietta points out her new boyfriend to Charles. As Charles watches Carrie and Hamish dance, Fiona, aware of Charles's unhappiness, tells him she remains single because she loves him. Charles, though sympathetic, does not reciprocate her feelings. During Hamish's speech, Gareth suffers a fatal heart attack.

At Gareth's funeral, Matthew recites "Funeral Blues", a poem by W. H. Auden. Carrie and Charles share a brief moment, and Charles and Tom then ponder that, despite their clique's pride in being single, Gareth and Matthew were as a "married" couple. They wonder whether seeking "one true love" is futile.

Ten months later, Charles's wedding day arrives; he is marrying Henrietta. While seating guests, Tom meets his distant cousin, Deirdre, whom he has not seen since childhood; they are smitten with each other. Scarlett and Chester are overjoyed to meet again.

Carrie arrives and tells Charles she and Hamish separated following a difficult marriage. Charles has an emotional crisis in a back room of the church. After David and Matthew counsel him, he decides to proceed with the wedding. When the vicar asks whether anyone present has reason why the couple should not marry, David uses sign language to say the groom has doubts and loves someone else. Charles confirms this by saying "I do", and a furious Henrietta knocks him out at the altar, ending the ceremony.

Later that day, Charles is at his flat discussing the fiasco with his friends when Carrie arrives to apologise for causing trouble. Charles again says he loves her and proposes a lifelong commitment without marriage, which Carrie accepts. As they kiss, a thunderbolt flashes across the sky.

In an ending photo montage, Henrietta has married an Army officer; David married Serena; Scarlett has married Chester, the Texan; Tom married Deirdre; Matthew has found a new male partner; Fiona is shown with Prince Charles; and Charles and Carrie have had their first child.

Main cast

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Production

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Writing

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Screenwriter Richard Curtis's own experiences as a wedding attendee inspired Four Weddings and a Funeral.[7] According to Curtis, he began writing the script at age 34, after realising he had attended 65 weddings in an 11-year period. At one wedding he was propositioned by a fellow guest, but he turned her down and forever regretted it; accordingly, he based the origin of Charles and Carrie's romance on that situation.[7]

It took Curtis 17 drafts to reach the final version. He has commented on director Mike Newell's influence; "I come from a school where making it funny is what matters. Mike was obsessed with keeping it real. Every character, no matter how small, has a story, not just three funny lines. It's a romantic film about love and friendship that swims in a sea of jokes." [8]

Curtis chose to omit any mention of the characters' careers, because he didn't think a group of friends would realistically discuss their jobs while together at a wedding.[7]

Casting

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Curtis, Newell and the producers began the casting process for Four Weddings in early 1992. Alex Jennings was cast as Charles, but funding for the production fell through in mid-1992.[9] Jennings would eventually go on to play a supporting role in Mindy Kaling's 2019 television miniseries adaptation of the film. The team continued holding auditions for over a year, seeing roughly 70 actors for the role of Charles before Hugh Grant.[3]

Grant was ready to give up acting as a career when he received the script for Four Weddings and a Funeral; he stated in 2016 that: "I wasn't really getting any work at all, and then to my great surprise this script came through the letterbox from my agent, and it was really good. And I rang on and said there must be a mistake, you've sent me a good script."[10] Initially, writer Richard Curtis, who had modelled the character of Charles after himself, was opposed to casting Grant in the role, because he thought Grant was too handsome. Curtis favoured casting Alan Rickman, but Rickman refused to audition. Curtis was eventually persuaded by Newell and the producers to approve Grant's casting.[11]

Jeanne Tripplehorn was originally cast as Carrie, but she had to drop out before filming when her mother died.[12] The role was offered to Marisa Tomei, but she turned it down, because her grandfather was sick at the time.[13] Sarah Jessica Parker was also reportedly considered. Andie MacDowell was in London doing publicity for Groundhog Day when she read the script[14] and was subsequently cast.[7] MacDowell took a 75% cut in her fee to appear, receiving $250,000 upfront, but due to the success of the film, she earned around $3 million.[15]

Grant's participation hit another stumbling block when his agent requested a £5,000 rise over the £35,000 salary Grant was offered. The producers initially refused because of the extremely tight budget, but eventually agreed. The supporting cast-members were paid £17,500 apiece.[16]

Production

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Duncan Kenworthy produced the film while on sabbatical from Jim Henson Productions.[15] Pre-production for the movie was a long process because funding was erratic, falling through in mid-1992 and leading to much uncertainty.[3] Finally in early 1993, Working Title Films stepped in to close the gap. Nonetheless, another $1.2 million was cut just before production began in the summer of 1993, forcing the film to be made in just 36 days with a final budget of £2.7 million (appr. $4.4 million in 1994).[3] Channel Four Films contributed £800,000.[15] The budget was so tight that extras had to wear their own wedding clothes, while Rowan Atkinson appeared as a vicar at two of the weddings so production wouldn't have to pay another actor.[7]

Future Home Secretary and Member of Parliament (MP) Amber Rudd was given the credit of "Aristocracy Coordinator" after she arranged for several aristocrats to make uncredited appearances as wedding extras, including Peregrine Cavendish, who was at the time Marquess of Hartington, and the Earl of Woolton, who conveniently wore their own morning suits.[7]

To make Grant look more nerdy, the producers styled him with shaggy hair, glasses, and deliberately unflattering, ill-fitting clothes.[17][18] Grant was encouraged by director Mike Newell to mess up and trip over his lines, written in "convoluted syntax" as Grant describes them, in order to give Charles a stammering, nervous quality.[18] Grant, who struggled with hay fever throughout filming, was unsure of Newell's direction and his own performance, which he thought was "atrocious." Regarding Newell, Grant commented that: "He seemed to be giving direction against what I thought were the natural beats of the comedy. He was making a film with texture, grounding it, playing the truths rather than the gags".[8]

The film was shot mainly in London and the Home Counties, including: Hampstead, Islington where the final moments take place on Highbury Terrace, Greenwich Hospital, Betchworth in Surrey, Amersham in Buckinghamshire, the village of Sarratt, in Hertfordshire (wedding number one), St Bartholomew-the-Great (wedding number four) and West Thurrock in Essex.[19]

Exterior shots of guests arriving for the funeral were filmed in Thurrock, Essex overlooking the River Thames with the backdrop of the Dartford River Crossing. Stately homes in Bedfordshire (Luton Hoo for wedding two's reception) and Hampshire provided exteriors for weddings.[20]

Post-production

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According to Hugh Grant, the initial screening of a rough-cut of Four Weddings went very badly.

"I thought we'd screwed it up. When we went to watch a rough cut, all of us, me, Richard Curtis, Mike Newell, the producers, all thought this was the worst film that's ever been perpetrated. We're gonna go and emigrate to Peru when it comes out so no one can actually find us. And then they had a, a few cuts later they took it to Santa Monica for a test screening and everyone loved it. And it was a great surprise."[10]

Throughout production, Gramercy Pictures, the U.S. distributor for the film, sent frequent transatlantic faxes objecting to the explicit language and sexual content, fearing the final product would not be suitable for American distribution or television airings.[3] They particularly objected to the opening scene of the movie, in which Charles and Scarlett say the word "Fuck" over and over, after an initial screening of the movie in Salt Lake City led the conservative Mormon members of the city council to walk out.[7][11] Accordingly, Mike Newell and the actors agreed to reshoot the scene with the British swear word "Bugger" to be used in the American version.[7] The executives also objected to the title, believing Four Weddings and a Funeral would turn off male viewers from the film. In its place they suggested such titles as True Love and Near Misses, Loitering in Sacred Places, Skulking Around, and Rolling in the Aisles, none of which were accepted.[3]

Music and soundtrack

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The original score was composed by British composer Richard Rodney Bennett. The movie also featured a soundtrack of popular songs, including a cover version of The Troggs' "Love Is All Around" performed by Wet Wet Wet that remained at number 1 on the UK Singles Chart for fifteen weeks and was then the ninth (now twelfth) biggest selling single of all time in Britain. This song would later be adapted into "Christmas Is All Around" and sung by the character of Billy Mack in Richard Curtis' 2003 film Love Actually, in which Grant also stars. The soundtrack album sold more than 750,000 units.[15]

Release

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Four Weddings and a Funeral had its world premiere in January 1994 at the Sundance Film Festival in Salt Lake City, Utah.[3]

It opened in the United States on 11 March 1994 in five theatres. The box office receipts from the first five days of the film's general release in the United States so impressed the movie's distributor that it decided to spend lavishly on promotion, buying full-page newspaper ads and TV-spots totaling some $11 million.[3] The movie also benefited from much free publicity because of Grant's reception in the United States, where he became an instant sex symbol and undertook a successful media tour promoting the film.[11] Producer Duncan Kenworthy stated that "It was the most amazing luck that when Hugh went on the publicity trail he turned out to be incredibly funny, and very like the character of Charles. That doesn't ever happen."[3] The film had a wide release in the United States on 15 April 1994.

At the UK premiere in Leicester Square on 11 May 1994, Hugh Grant's then-girlfriend Elizabeth Hurley garnered much publicity for the film when she wore a black Versace safety-pin dress which became a sensation in the press.[3] The film opened in the UK on 13 May 1994.

Reception

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Critical response

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Four Weddings and a Funeral received critical acclaim.[21][22] On review aggregator Rotten Tomatoes, the film holds an approval rating of 92% based on 134 reviews, with an average rating of 7.9/10. The site's critics consensus states, "Hugh Grant ably snatches up the bouquet of leading man status with Four Weddings and a Funeral, a sparkling romantic comedy given real charm by its chummy ensemble and Richard Curtis' sharp-witted screenplay."[23] Metacritic assigned the film a weighted average score of 81 out of 100 based on 19 critics, indicating "universal acclaim".[24]

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it "delightful and sly", and directed with "light-hearted enchantment" by Newell. He praised Grant's performance, describing it as a kind of "endearing awkwardness".[25] Todd McCarthy of Variety called it a "truly beguiling romantic comedy" which was "frequently hilarious without being sappily sentimental or tiresomely retrograde."[26] Producer Duncan Kenworthy later attributed much of the success of Four Weddings at the box office to McCarthy's review.[3]

Writing for the Chicago Reader, Jonathan Rosenbaum called the film "generic" and "standard issue", stating that the audience shouldn't "expect to remember it ten minutes later".[27] Time magazine writer Richard Corliss was less scathing, but agreed that it was forgettable, saying that people would "forget all about [the movie] by the time they leave the multiplex," even joking at the end of his review that he had forgotten the film's name.[28]

Box office

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Upon its limited release in the United States, Four Weddings and a Funeral opened with $138,486 from five theatres.[29] In its wide release, the film topped the box office with $4.2 million.[30] The film would go on to gross $52.7 million in the United States and Canada.[2]

In the United Kingdom, the film grossed £1.4 million in its opening weekend, a record for a UK production,[31] and £2.7 million in its opening week from 211 theatres. It was number one for nine consecutive weeks, grossing £27.8 million, making it the second highest-grossing film of all time in the United Kingdom behind Jurassic Park.[32][15][33] It surpassed A Fish Called Wanda as the highest-grossing British film.[34] In France, it was number one at the box office for ten weeks, grossing $34.4 million.[35] It was also number one at the Australian box office for five weeks and was the second-highest-grossing film of the year, grossing $A21.4 million.[36][37][38] Overall, it grossed $245.7 million worldwide, generating the highest percentage return on cost of films released in 1994.[2][39] The success of the film cleared Working Title's past losses and generated over $50 million for Polygram, clearing most of their losses in the four years since they started producing films.[15]

Recognition

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The film was voted the 27th greatest comedy film of all time by readers of Total Film in 2000. In 2004, the same magazine named it the 34th greatest British film of all time. It is number 96 on Bravo's "100 Funniest Movies".

The Guardian, in a 20th anniversary retrospective of Four Weddings, stated that "Its influence on the British film industry, on romantic-comedy writing, on the pop charts, on funeral readings, on haircuts, was enormous."[3]

Hugh Grant commented in 2016 on the experience of the film's phenomenal success and its effect on his career: "I was making An Awfully Big Adventure at the time that Four Weddings came out, with Mike Newell again, same director, even tinier budget, in Dublin. And we'd get back from brutal days on the set, very long and no money, and the fax machines...were coming out saying that now your film Four Weddings is #5 in America, now it's #3, now it's #1 and here's an offer Hugh, for Captain Blood and they'll pay you $1 million. It was completely surreal."[10]

Awards and accolades

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Year-end lists

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Awards

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Award Category Recipient Result
Academy Awards[70] Best Picture Duncan Kenworthy Nominated
Best Original Screenplay Richard Curtis Nominated
BAFTA Awards[71] Best Film Duncan Kenworthy Won
Best Direction Mike Newell Won
Best Original Screenplay Richard Curtis Nominated
Best Actor Hugh Grant Won
Best Supporting Actor Simon Callow Nominated
John Hannah Nominated
Best Supporting Actress Kristin Scott Thomas Won
Charlotte Coleman Nominated
Best Editing Jon Gregory Nominated
Best Film Music Richard Rodney Bennett Nominated
Golden Globe Awards[72] Best Musical or Comedy Four Weddings and a Funeral Nominated
Best Actor – Musical or Comedy Hugh Grant Won
Best Actress – Musical or Comedy Andie MacDowell Nominated
Best Screenplay Richard Curtis Nominated
Directors Guild of America Awards[73] Outstanding Directing – Feature Film Mike Newell Nominated
Australian Film Institute Awards[74] Best Foreign Film Four Weddings and a Funeral Won
British Comedy Awards[75] Best Comedy Film Four Weddings and a Funeral Won
César Awards[76] Best Foreign Film Four Weddings and a Funeral Won
Chicago Film Critics Awards[77] Most Promising Actor Hugh Grant Won
Evening Standard British Film Awards Best Actress Kristin Scott Thomas Won
Best Screenplay Richard Curtis Won
London Critics' Circle Film Awards British Film of the Year Four Weddings and a Funeral Won
British Director of the Year Mike Newell Won
British Producer of the Year Duncan Kenworthy Won
British Screenwriter of the Year Richard Curtis Won
Writers Guild of America Awards[78] Best Original Screenplay Won
Writers' Guild of Great Britain Awards[79] Film – Screenplay Won

Franchise

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Hulu anthology television miniseries

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Main article: Four Weddings and a Funeral (miniseries)

It was reported in November 2017 that the streaming service Hulu was developing an eponymous anthology television series based upon the film, to be written and executive produced by Mindy Kaling and Matt Warburton, with Richard Curtis also serving as an executive producer.[80] In October 2018, it was announced Jessica Williams, Nikesh Patel, Rebecca Rittenhouse, and John Reynolds had joined the cast.[81] The miniseries premiered on 31 July 2019.

One Red Nose Day and a Wedding

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On 5 December 2018, it was announced that Richard Curtis had written One Red Nose Day and a Wedding,[82] a 25th anniversary Comic Relief television reunion short film. The original film's director, Mike Newell, returned, along with the film's surviving cast, including Hugh Grant, Andie MacDowell, Kristin Scott Thomas, John Hannah, Rowan Atkinson, James Fleet, David Haig, Sophie Thompson, David Bower, Robin McCaffrey, Anna Chancellor, Rupert Vansittart, Simon Kunz, Sara Crowe and Timothy Walker.[6] It was filmed on 13–14 December 2018 at St James' Church, Islington, London.[83] It centered on the reunion of all the characters from the original film at the wedding of Charles and Carrie's daughter to Fiona's daughter.[84] The involvement of additional cast members Lily James and Alicia Vikander, who played the young lesbians getting married, was not announced until the day the film aired in the UK.[85] The film aired in the US on their Red Nose Day on 23 May 2019.[86]

See also

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References

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  1. ^ a b BBC Radio 4 – The Reunion – Four Weddings and a Funeral, 13 April 2014
  2. ^ a b c d Four Weddings and a Funeral (1994). Box Office Mojo. Retrieved 22 August 2016.
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