Footprints on the Moon (Italian: Le orme, "The Footprints"), also released as Primal Impulse,[2] is a 1975 Italian mystery thriller film starring Florinda Bolkan and Klaus Kinski. It concerns Alice, a translator with an unexplained two-day gap in her memory that follows clues to a mysterious seaside town for answers, where the unfamiliar residents seem to recognize her as a different woman named Nicole.
| Footprints on the Moon | |
|---|---|
 Film poster | |
| Directed by | Luigi Bazzoni |
| Screenplay by |
|
| Based on | Las Huellas by Mario Fenelli |
| Produced by |
|
| Starring | |
| Cinematography | Vittorio Storaro[1] |
| Edited by | Roberto Perpignani[1] |
| Music by | Nicola Piovani[1] |
Production company | Cinemarte S.r.l.[1] |
| Distributed by | Cineriz |
Release date |
|
Running time | 96 minutes[1] |
| Country | Italy[1] |
| Box office | ₤202.505 million |
Plot
editAlice Cespi, while living alone in Rome and employed as an interpreter, wakes up to find she has lost several days. She is tormented by a recurrent nightmare from a film she saw when young called "Footprints on the Moon," in which an astronaut is left to die on the Moon by an evil mission controller. She has become reliant on tranquilizers to sleep. Upon going in to work, she is fired for being absent without explanation.
Back in her apartment she finds a postcard showing a faded old hotel at a place called Garma. She finds a bloodstained yellow dress she has never seen before hanging up in her closet, and then she notices that she has lost an earring. She decides to go to Garma, a Turkish island, and books into the mostly empty hotel. People there say they saw her a few days ago, but she had long red hair at the time. In a shop she sees a yellow dress identical to the one she found in her closet. A dog in the woods is playing with a long red wig. She begins to suspect that the missing days in her life may indeed have been on Garma.
In a panic in the woods, she falls unconscious, and a man called Henry carries her to an empty villa. When she comes to, she recognizes the distinctive stained glass windows showing peacocks. On the bathroom floor she finds her missing earring. In her jumbled memories, Henry was a lover who left her, just as the astronaut was left, and in revenge, she stabbed him with scissors (hence the bloodstains on the yellow dress).
She hears Henry talking on the telephone and, suspicious that he is arranging to have her taken away, kills him with a pair of scissors. She is pursued along the beach by the psychiatric nurses he had called, and she sees them as astronauts sent by the evil controller. An end title says she is in a secure hospital.
Cast
edit- Florinda Bolkan as Alice Cespi
- Peter McEnery as Henry
- Lila Kedrova as Mrs. Heim
- Nicoletta Elmi as Paula Burton
- Klaus Kinski as Blackmann
- Caterina Boratto as Boutique owner
- Evelyn Stewart as Mary
- Esmeralda Ruspoli
- John Karlsen as Alfred Lowenthal
- Rosita Torosh as Marie Leblanche
Production
editThe film's script was allegedly based on Las Huellas by Italian-Argentinian writer Mario Fenelli.[3] He was close friends with Manuel Puig with the two writing scripts together while Puig encouraged Fenelli to become a fiction writer instead of a film-maker.[4] The film was shot in nine weeks between Rome and Turkey starting on 29 April 1974.[5][6] Florinda Bolkan spoke on her performance in the film stating that she was immersed into it psychologically and physically stating she lost eleven pounds while working on it.[5] the film was director Luigi Bazzoni's final film.[5]
Release
editFootprints on the Moon was distributed by Cineriz in Italy as Le orme on 1 February 1975.[1][4] The film grossed a total of 202,505,676 Italian lire domestically.[4]
Reception
editOn its initial release, critic Giovanni Grazzini wrote that "following Dario Argento's exploits, Italian cinema can count on another director who knows how to make a thriller...The movie nails you to the chair, keeps you awake, sows in doubt and curiosity, and eventually does not make you regret the time and money spent."[5]
Francesco Barilli saw the film in 2011 and referred to it as an "intriguing, elegant, suggestive film, very courageous and peculiar, very well shot and with a beautiful photography by Vittorio Storaro"[7]
References
editFootnotes
edit- ^ a b c d e f g h i Curti 2017, p. 146.
- ^ McEntire, Mac (12 March 2013). "Ten cent movies: Primal Impulse". macmcentire. Retrieved 13 April 2022.
- ^ Curti 2017, p. 148.
- ^ a b c Curti 2017, p. 147.
- ^ a b c d Curti 2017, p. 149.
- ^ Curti 2017, p. 150.
- ^ Barilli, Francesco (April 2012). "In Nero". Nocturno Cinema. No. 116. p. 4.
Sources
edit- Curti, Roberto (2017). Italian Gothic Horror Films, 1970-1979. McFarland. ISBN 978-1476629605.