Wikipedia

Eduardo Montes-Bradley

Eduardo Montes-Bradley (born July 1960) is a documentary filmmaker known for Evita, Rita Dove: An American Poet, and Harto The Borges. His most recent films are Black Fiddlers and Daniel Chester French: American Sculptor[1] He’s currently working on The Italian Factor: The Piccirilli Story.[2]

Eduardo Montes-Bradley
Born (1960-07-09) July 9, 1960 (age 64)
Córdoba, Argentina
Nationality
  • Argentina
  • United States
OccupationDocumentarian
Years active1979–present
Notable workJulian Bond, Rita Dove, Evita
RelativesEduardo Bradley, Enrique Ferrarese
Websitewww.montesbradley.com

Early and personal life

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Montes-Bradley was born in Argentina to Nelson Montes-Bradley, co-founder of Discos Qualiton and Sara Kaplan. He moved to New York in 1979, and currently resides in Charlottesville.

Non-fiction

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The Carolina Chocolate Drops
 
Montes-Bradley with Rivera and crew members
 
Lineup of Samba veterans in the favelas of Rio during the filming of Samba on your Feet
  • Leon Rozitchner's Window, 2008. [55][56] Anecdotical documentary with philosopher León Rozitchner.*
  • The Unanimous Night, 2018. With Luis Harrs.
  • Dialogue and Moisture, 2018. With Luis Harrs. [57]
  • Child of the Forest, 2014. Yona Bromberg, recalls her life as Holocaust Survivor from Rokitno[58]
  • American Manifesto, 2005.[59]
  • Che: Rise & Fall, 2006. Produced and directed for National Geographic.
  • Samba On Your Feet, Contrakultura Films, 2005. The film traces the influences of Carnival and Samba in Rio.[60][61][62][63]
  • Ismael Viñas: Witness of a Century, Contrakultura Films, 2005.[40] Documentary about Ismael Viñas, founder of Movimiento de Liberación Nacional (MALENA),[64][65][66][67] Directed by Montes-Bradley as Diana Hunter.
  • The Great Pretender, 2007. Official Selection of the International Film Festival of Buenos Aires (BAFICI). Released in Uruguay as "No a los papelones".[68][69][70][71] On the director's request the film did not participate "in competition" to avoid further turmoil.[72] Released by Editorial Perfil in April 2008.
  • Un Certain Regard, Contrakultura, 2004. Sociologist Juan Jose Sebreli introduces the audience into the social, and cultural impact of the architectural history of Buenos Aires.[73]
  • Crónicas Mexicas, Contrakultura Films, 2004. Martín Caparrós and Montes-Bradley follow on the trail of Hernán Cortés from Veracruz to Tenochtitlan revealing multiple aspects of local cultures.
  • Le Mot Just, Contrakultura Films, 2004. Biographical portrayal of Héctor Tizón.

Fiction

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Production still: Margaux Hemingway

Experimental

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  • Frogments, 2000. Based on 8 mm images captured by Julio Cortázar in India and Africa with voice over by Allen Ginsberg.
  • Freedom, 1986. Based on 8 mm images captured by Montes-Bradley in and around Los Angeles, Chicago, and Miami with highlights of homelessness.

Music videos

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Bibliography

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Habeas corpus: Peter Paul Weinschenk, alias Pablo Tabernero. Buenos Aires, Argentina: 34th Mar del Plata International Film Festival, INCAA. 2019. pp. 144 : photographs, 23 cm.Ideography, Biographical approach to Peter Paul Weinschenk, life and works of Pablo Tabernero, cinematographer of Prisioneros de la tierra directed by Mario Soffici.

Los dedos del huracán. Short story. Children Literature. Included on "De Ola en Ola 3" School Textbook for Third Grade. Group Macmillan. Editorial Estrada S.A., Buenos Aires, Argentina. Illustrated by Eugenia Nobati. p. 62–67[85]

Montes-Bradley, Eduardo (2012). La resurreción de Ocantos. Los Angeles, CA. pp. 62 Hard Cover : illustrations, 23 cm. ISBN 978-1449907402.{{cite book}}: CS1 maint: location missing publisher (link) Bio-bibliographical essay on Carlos María Ocantos.[86][87]

Cortázar sin barba. Madrid: Random House Mondadori. 2005. pp. 394 Hard Cover : illustrations, 23 cm. ISBN 84-8306-603-3. Biography of Julio Cortázar.[88][89] 1st edition Editorial Sudamericana, Argentina 2004. 3rd edition, Pesódromo 21, 2014.[90][91][92]

Água No Terceiro Milenio. Brasilia Montevideo: Bianchi Editores Ediciones Pilar, Collección Señales de Vida. 2000. pp. 318, 21 cm. ISBN 9974-663-17-2. Bilingual Anthology of Short Stories. Selection of awarded works at the Literary Award "Agua no terceiro Milenio",[93] Brazil. Bilingual: Portuguese-Spanish. Pilar Editors, Brasília, 2000. Includes the short story "Das schwerste gewicht" previously published in "Ya se que todo es mentira" (1999), Editorial del Nuevo Extremo, Buenos Aires 1999.[94]

'Osvaldo Soriano': Un retrato. Buenos Aires: Grupo Editorial Norma. 2000. pp. 171 Rustic. ISBN 9879334353. Sperling & Kupfer Editori, Milan, Italy, 2001, 164pp. Translated by Gina Maneri. Collection: Continente Desaparecido, directed by Gianni Minà ISBN 88-200-3201-5.[95][96] Based on the homonymous documentary by the author.[97][98][99]

Ya se que todo es mentira. Buenos Aires: Editorial del Nuevo Extremo. 1999. p. 200. ISBN 950-9681-85-7. (trad. I know It's All Lies). Some of the short stories included have been previously published in literary magazines. Foreword by Osvaldo Bayer. 199 pp. 23 cm.[100] Foreword by Osvaldo Bayer.

'Senxo', Selected Poems. Editorial Grupo Archivo de Comunicación, New York City, 1984. Foreword by Armando Tejada Gómez. Out of print.

Journalism

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Montes-Bradley contributed to El País, Babelia,[101] Les cinemas de la Amerique Latine[102] by Association Rencontres Cinémas d'Amérique Latine de Toulouse France; La Jornada, México; the monthly review Latinoamérica e Tutto il Sud dell Mondo, Italy; and in Argentina to the literary magazine Esperando a Godot; the art-magazine Revista Lote, Venado Tuerto, Suplemento Radar published by Página/12, El Amante de cine, "Diario Perfil," "Revista Ñ" Clarin,[103] Critica de Argentina; and La Nación. Montes-Bradley was a frequent collaborator with the literary blog "Nación Apache."

Photography

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Montes-Bradley was recognized by the National Council on Public History with the "Outstanding Public History Project Award" as part of the exhibit "The Mere Distinction of Colour" produced by James Madison's Montpelier.[104] His photo-work appeared in The Atlantic,[105] The Washington Post,[106] La Nacion,[107]The Independent,[108] Deutsche Welle,[109] Diario Clarin[110] other newspapers[111] and magazines[112] as well as "Escenas de la memoria. La Casa Argentina en la voz de sus antiguos residentes",[113][114] and "Aventura Turnberry Jewish Center 20th Anniversary".[115] His work is partially preserved at the Claude Moore Health Sciences Library, the University of Virginia.[116]

Awards and honors

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Appearances in other media

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  • Margaux Hemingway,E! True Hollywood Story.[125] USA, 1996.
  • Jorge Giannoni. NN, ése soy yo, 2000.[126]
  • Derrumbe. Novel by Daniel Guebel. Random House Mondadori, 2012.
  • Mis escritores muertos. Novel by Daniel Guebel. Random House Mondadori, 2012.[127]
  • Zenitram, film by Luis Barone.[128]

References

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  1. ^ Cascone, Sarah. ArtNet
  2. ^ The New York Times. Streetscapes. By John Freeman Gill 10-15-23
  3. ^ Cascone, Sarah. ArtNet, Do You Know Who Designed the Lincoln Memorial Statue? [1]
  4. ^ Krzanik, Amy, The Berkshire Edge
  5. ^ Fanto, Clarence, The Berkshire Eagle
  6. ^ Mystic Film Festival [2]
  7. ^ NPR-On Point Hausman, Sandy. October 22, 2020,
  8. ^ Bromley, Anne. UVA Today, November 26, 2022
  9. ^ Virginia Film Festival, 2022
  10. ^ Montes-Bradley, Eduardo (December 29, 2021). "RADIO IQ | All Things Considered BLACK FIDDLERS". Montes-Bradley. Retrieved March 31, 2022.
  11. ^ Harvard University Screening
  12. ^ First Amendment Museum
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  19. ^ "Montes-Bradley se embarcó tras los pasos de Pablo Tabernero, pionero de la cinematografía y el cine documental". El Litoral, Santiago del Estero. November 20, 2020.
  20. ^ Internet Movie Database
  21. ^ Zapata, Marcelo. 'Ambito Financiero. "En busca de un maestro de la iluminación: Pablo Tabernero". June 8, 2020.
  22. ^ Dolores Fox Ciardelli | "Heritage Film Project focuses on Pleasanton POW" Horrors of war forged Milt Feldman into a man of peace. / Pleasanton Weekly.March 8, 2018.
  23. ^ Devins, Glynn. Pleasanton Patch "WWII Veteran to Be Recognized During Debut of Documentary" August 2, 2018.
  24. ^ WCVE/WHTJ. Sunday, November 11 at 1:00 pm Veterans Day
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  27. ^ Kelly, Ryan for The Daily Progress. "Retired area doctor subject of new film" Charlottesville, Va. December 30, 2017
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  33. ^ a b El Nuevo Herald. Revista Aplausos. By Olga Connor, Miami, January 7, 2010,
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  35. ^ a b Biblioteca del Instituto Nacional de Cine y Artes Audiovisuales
  36. ^ "Del papel al celuloide: escritores argentinos en el cine", by Agustin Neifert. La Crujía Ediciones, 2003. p. 361
  37. ^ Boletín Octavio Paz. Vol. 1. Issue 1. April–May 2009. www.octaviopaz.org
  38. ^ "Moros en la costa: orientalismo en Latinoamérica" by Silvia Nagy-Zekmi. Iberoamericana. Madrid, 2008. Page 194
  39. ^ Ilarregui Gladys. "Moros en la costa" Cap. El mono gramático: Orientalismo y Poetica de Octavio Paz. p.192. Editor Silvia Nagy-Zekmi. Verbuert, 2008. www.ibero-americana.net ISBN 978-84-8489-403-2
  40. ^ a b Roca Escalante, Pilar. "Critique on Language and Political Emancipation in Contorno (1953–1959) University of Paraíba, Brazil. Cuadernos del CILHA a. 18 n. 26 2017 ISSN 1515-6125. References, page 153
  41. ^ Bayer, Osvaldo, and Ferrer. Osvaldo Bayer íntimo: Conversaciones con el eterno libertario. Ediciones Madres de Plaza de Mayo, 2007. pp.17,18,298.
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  46. ^ Diario de Pernambuco|Cinema|October 27, 2014
  47. ^ Germano, Tiago: "Un biógrafo de lentes" | Vida & Arte | Jornal da Paraiba. Editor: André Cananéa | Sunday, November 2, 2014
  48. ^ Saavedra at IMDb
  49. ^ Silva, Carlane Maria de Holanda. A representação feminina na obra Sinfonia em branco de Adriana Lisboa. 2017. 124 f. Dissertação (Programa Mestrado Acadêmico em Letras) – Universidade Estadual do Piauí, Teresina.
  50. ^ CAIXETA, Sheila Couto. Memória e identidade em narrativas de migrantes : A chave de casa de Tatiana Salem Levy e Azul-corvo de Adriana Lisboa. 2014. 75 f. Dissertação (Mestrado em Literatura)—Universidade de Brasília, Brasília, 2014.
  51. ^ WHTJ PBS / WCVE PBS, Virginia, 2012
  52. ^ Cineagenzia. "Lisboa" di Eduardo Montes-Bradley | Stati Uniti, 2013, 27 minuti | Anteprima Italiana "PAGINE NASCOSTE| 10a edizione | Festivaletteratura 2014 | CineAgenzia". Archived from the original on November 19, 2015. Retrieved November 18, 2015.
  53. ^ Bringel de Oliveira, Marcus Rodolfo. "A metonímia do pertencimento em Adriana Lisboa: identidade nacional e familiar em Azul-corvo, Rakushisha e Hanói". University of Brasilia,Instituto de letras. Departamento de teoría literária e literaturas. Programa de Pós-Graduaçao em literatura. Brasilia, 2016. p.3 [6]
  54. ^ "Virginia Film Festival". www.virginiafilmfestival.org. September 4, 2014.
  55. ^ "Clarin.com". Clarin.com.
  56. ^ Montes-Bradley, Eduardo. "Rozitchner íntimo en tres tomas continuas". Revista de Cultura Ñ. Ideas-Filosofía. Diario Clarin. September 5, 2011 [7]
  57. ^ "Retrospectiva de Eduardo Montes-Bradley: documentales de Norte a Sur". Grieco y Bavio, Alfredo. Diario Clarín. December 6, 2019.
  58. ^ United States Holocaust Memorial Museum
  59. ^ Buenos Aires Festival de Cine Independiente, official catalog 2005. Volume 6. pages 206 and 230. Ed. GobBsAs, Secretaría de Cultura, Subsecretaría de Gestión e Industrias Culturales.
  60. ^ Kanopy Streaming
  61. ^ Folha de Sao Paulo."Mostra reúne olhar gringo sobre o Brasil". September 25, 2005,
  62. ^ AfolabiIlê, "Niyi Aiyê in Brazil and the Reinvention of Africa," African Histories and modernities. p.267 Palgrave Macmillan
  63. ^ Cornell University Library
  64. ^ Sarlo, Beatriz: "Ismael Viñas: el largo exilio del pensador irreverente" Diario Perfil, Buenos Aires, 27|04|14
  65. ^ Olga Connor, "Miami en la cultura latinoamericana" El Nuevo Herald, (Miami Herald). June 1o, 2014.
  66. ^ Ideografía de un mestizo, by Pilar Roca. p. 8
  67. ^ Sebreli, Juan José El tiempo de una vida. Editorial Sudamericana, 2005. p.186
  68. ^ Folha de Sao Paulo. "Filme sobre fábricas de celulose cria polêmica na Argentina e no Uruguai" ANSA, Montevideo.May 12, 2006
  69. ^ Guibert, Martine et al. "La bassin du Río de la Plata. Développement local et intégration régionale" Presses Universitaires Du Mirail. Toulouse, France. 2009. p. 201
  70. ^ Guibert, Martine; Carrizo, Silvina; Ligrone, Pablo and Mallard, Bruno. Le bassin du Rio de la Plata: Développement régional et intégration régionale. Page 201
  71. ^ Diario Clarin. Suplemento especial | "Las diferentes caras del cine nacional" | March 29, 2007,
  72. ^ "Agencia Nova. February 17th, 2007 – Espectáculos".
  73. ^ La Nacion, November 1st., 2024 [8]
  74. ^ Curubeto, Diego "Babilonia Gaucha" p. 161. Sudamericana, Buenos Aires, 1998.
  75. ^ Rocky Mountain News, July 22, 1991. Arts & Entertainment.
  76. ^ Colorado Daily. August 2–5, 1991 Vol. 98 No. 183, Staff Writer Michael Sandrock
  77. ^ Sunday Camera. Boulder, Colorado. July 14, 1991
  78. ^ The Denver Post, September 25, 1992.
  79. ^ The Profile. Denver, October 1992. Volume 15.
  80. ^ "Smoothtalker" – via www.imdb.com.
  81. ^ Billboard. April 16, 1994. Hot Latin Tracks
  82. ^ El Nuevo Herald. February 7, 1994. Page 51
  83. ^ Billboard. April 9, 1994. Hot Latin Tracks
  84. ^ Viva Semanal. Pantalla Chica. Volume 7, Issue 179. Page 2. Miami, Florida, June 15, 1994
  85. ^ Editorial Estrada. Catálogo 2010
  86. ^ Ediciones Hispamérica. Revista de literatura. University of Maryland, 2009. Issue 114. Page 25-38.
  87. ^ Academia.edu "La resurrección de Ocantos".
  88. ^ Stephen Gregory (2015) No Need To Worry, Largázar, We Know What Mafalda Would Think of You, Journal of Iberian and Latin American Research, 21:1, 142–155, DOI: 10.1080/13260219.2015.1022349
  89. ^ Barrientos, Juan José. Review of "Cortázar sin barba". Revista de Crítica Literaria Latinoamericana Año 32, No. 63/64 (2006), pp. 371–374 Published by Centro de Estudios Literarios "Antonio Cornejo Polar". Xalapa University, México. [9]
  90. ^ Anales de literatura hispanoamericana by Universidad Complutense de Madrid Cátedra de Literatura Hispanoamericana, Universidad Complutense de Madrid Departamento de Filología Española IV. Vol. )
  91. ^ Julio Cortázar y el hombre nuevo, by Graciela Maturo, 2004. p. 241.
  92. ^ Broichhagen, Vera. "Julio Cortázar o las barbas del diablo". Cuadernos Lirico. Revista de la red inter-universitaria de estudios sobre las literaturas rioplatenses contemporáneas en Francia. Université Paris VIII Vincennes – Saint-Denis/Princeton University. October 11, 2012.
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  95. ^ Latinoamerica, Culture . 2. 2001. p. 211 Soriano, un ritrato inconsueto
  96. ^ Online Computer Library Center, OCLC Number: 43980246
  97. ^ Montes Capó, Cristián, "Escritura y subjetividad en "La hora sin sombra" de Osvaldo Soriano". Revista Chilena de Literatura No. 62. Universidad de Chile, 2007. pp. 47–63
  98. ^ Osvaldo Soriano, by Cristián Montes. Published by RIL Editores, 2004. Original from the University of Michigan
  99. ^ Budassi, Sonia, "Más allá de la nostalgia". Diario Perfil. Buenos Aires, January 26, 2007,
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  103. ^ Revista Ñ. "Cada pieza es de un valor incalculable" Buenos Aires, Argentina, September 9, 2011 [10]
  104. ^ Romero, Ivana "Reconstrucción e Imagen. Revista Ñ, Clarín. 08-14-2020
  105. ^ Buder, Emily The Atlantic Selects "Trans Asylum Seekers: The Horrors of ICE's 'Trans Pod', July 9, 2019
  106. ^ Thompson, Krissah. "'Always remember: You're a Madison'" The Washington Post, November 14, 2017. [11]
  107. ^ "Rita Dove: la poeta de Barack Obama" Photos by Montes-Bradley. La Nacion. ADN | Cultura. Buenos Aires, Argentina. Friday, May 10, 2013.
  108. ^ Alison Entrekin. The Independent. November 18, 2013. Book review: Crow Blue, By Adriana Lisboa. Portrait of Adriana Lisboa in Boulder. USA
  109. ^ Saavedra, Carola. "Die Fiktion des Fremden". Deutsche Welle, Ausgabe 5, 2013 | Page 19. Portrait of Carola Saavedra in Berlin, Germany
  110. ^ [12] Leon Rozitchner | Photo by Eduardo Montes-Bradley
  111. ^ Diario Perfil. Buenos Aires, Argentina. Sábado 11 de Junio de 2011. El Observador, page 50. Portrait of Ismael Viñas.
  112. ^ We The People. Publication of James Madison's Montpellier. Orange. Spring 2014. Credited on the Cover photo. p. 3 top, p.4-5, p. 6, p.7, p.9, p. 19.
  113. ^ "Escenas de la memoria. La Casa Argentina en la voz de sus antiguos residentes" Ministerio de Educación, Presidencia de la Nación. Buenos Aires, Argentina 2012. Portrait of Leon Rozitchner
  114. ^ Ensemble. Revista electrónica de la Casa Argentina en París. Año 5 – número 11 – ISSN 1852-5911. Portrait of Leon Rozitchner
  115. ^ "Aventura Turnberry Jewish Center 20th Anniversary" Stern | Bloom Media. Aventura, FL, USA 2011.
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  117. ^ Virginia Film Festival Site
  118. ^ 9th International Historical And Military Film Festival, Poland, 2018
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  122. ^ "The 2015 Award Winners".
  123. ^ Jefferson Trust Award, 2015. Awarded for "Monroe Film"
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  125. ^ "E! True Hollywood Story" Margaux Hemingway (USA, 1997). Documentary. Director: Claire Callahan.
  126. ^ "Jorge Giannoni. NN, That Is Me." Queen Mary, University of London, Library. Guillermo Olivera
  127. ^ Guebel, Daniel. Mis escritores muertos. Mansalva Editorial, Buenos Aires, 2009
  128. ^ International Movie Data Base
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Notes

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  1. Roca, Pilar Las vidas paralelas de Montes-Bradley Grupo Archivo de Comunicación. New York, 2010. University of Virginia Libraries; University of Virginia Library; UVa Library [13]
  2. Abos, Alvaro Xul Solar: Pintor del misterio. Sudamericana, 2004. p. 289
  3. Lindner, Franco Cooke: El heredero maldito de Perón: la biografía. Editorial Sudamericana, 2006
  4. Arnold, Jorge Revista de critica literaria latinoamericana.. Latinoamericana Editores.
  5. Nagy-Zekmi, Silvia Moros en la costa: Orientalismo en America Latina. Iberoamericana.p. 192.
  6. Sebreli, Juan JoseEl tiempo de una vida: Autobiografía. Editorial Sudamericana, 2005
  7. "Reviews on Latin American and Chinese Art by Eduardo Montes-Bradley" Art and Wealth [14]
  8. Bustos, Graciela Audiovisuales de combate: Acerca del Videoactivismo Contemporáneo. Published by Centro Cult. de España, Bs.As., 2006. p. 83
  9. Kriger, Clara / Spadaccini, Silvana Páginas de cine. Archivo General de la Nación, República Argentina, 2003. p. 103
  10. Tiempo de hoy. Published by Ediciones Tiempo, S.A., Spain, 2005. p. 84
  11. Mazzeo, Miguel / Ramb, Ana María Osvaldo Bayer: Miradas sobre su obra. C.C.C., ED. del Inst. Movilizador de Fondos Coo., 2003. p. 96
  12. Neifert, Agustin, Del papel al celuloide: Escritores argentinos en el cine. La Crujía Ediciones, 2003. pp. 48, 49, 54.
  13. Di Benedetto, Antonio and Lebenglik, Fabian El Pentágono: Novela en forma de cuentos. Adriana Hidalgo Editores, 2005. p. 13
  14. Aguilar, Gonzalo Moisés Otros mundos: Ensayo sobre el nuevo cine argentino. Santiago Arcos Editor, 2006. pp. 228, 130, 231.
  15. Fernandez Naval, F.X. Respirar por el idioma: (los Gallegos y Julio Cortázar). Contributor Emilia Veiga Torre. Editorial Corregidor, 2007. pp. 14, 38, 192
  16. Versants. By Collegium Romanicum. Published by L'age d'homme, 2001. 262, 266.
  17. Nelson Bayardo and José Pedro Rilla Carlos Gardel: A la luz de la historia. Editorial Aguilar, 2000. p. 117
  18. María Gabriela Barbara, Cittadini. Vindicaciones del infinito.Fundación Internacional Jorge Luis Borges, 2003. p. 38
  19. Neifert, Agustín. Del papel al celuloide Edition: illustrated. La Crujía Ediciones, 2003
  20. Mesa Gancedo, Daniel Avatares del personaje artificial en la novela Argentina de los 90. America Latina Hy, 30, 2002, Ediciones Universidad de Salamanca. p. 168.
  21. Neyret, Juan Pablo. Para textos bastan y sobran. La conformación del espacio paratextual en Triste, solitario y final, de Osvaldo Soriano. Universidad Nacional de Mar del Plata.
  22. Sainz Borgo, Karina. "Julio Cortázar: franquista en Buenos Aires, marxista en Estados Unidos y burgués en Cuba" [15]
  23. Montes-Bradley, Eduardo. "Notes On Myself" [16]
  24. Les cinemas de la Amerique Latine
  25. Alexander Street Press
  26. Greenacord [17][permanent dead link]
  27. Thomas Osgood Bradley Foundation TOBF
  28. Mar del Plata Film Festival [18]
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