Edith Chester (1864–1894; born Edith Morgan Gellibrand), known also as Leslie Chester, was a British actress.[1]
Edith Chester | |
|---|---|
.jpg) Portrait (cropped) from an 1880s cigarette card, for the stage name Leslie Chester | |
| Born | Edith Morgan Gellibrand 1864 |
| Died | 1894 |
| Occupation | actor |
| Father | Thomas Samuel Gellibrand |
Early life
editChester was born in Arkhangelsk in March 1864;[2] she was the second daughter of Thomas Samuel Gellibrand (1820/1–1897, born in Madras), a British timber merchant resident in Russia from 1847 to 1865.[3][4][5] She came from a family who opposed her wish to go on the stage. Her paternal grandfather was Sheriff of Madras, Thomas Gellibrand (died 1824).[6]
She has been identified as a model for The Golden Stairs, an 1880 painting by Edward Burne-Jones; but some research suggests the face in question is that of Dorothy Dene.[1][2][7] Walter Crane in his memoir An Artist's Reminiscences (1907) described a sea pleasure trip of the early 1880s, from Brightlingsea to Torquay, in a party where Chester and Calliope Sechiari, daughter of Aglaia Coronio, were the female guests.[8] Performances in amateur productions in 1883, under her real name with her sister Lina, gained Chester positive press coverage. At the Londesborough Theatre in Scarborough, North Yorkshire, she played Helen Gaythorne in Weak Woman by Henry James Byron, and Lisette in the after-piece The Swiss Cottage by Thomas Haynes Bayly.[9] Appearing in a charity performance at St. George's Hall, London, in Tom Taylor's The Serf, she was pronounced "charming" as Acoulina.[10]
Actress
editChester made her professional stage debut in the USA, in October 1885.[11] She crossed the Atlantic from Liverpool in the SS Adriatic, chaperoned by her mother and accompanied by Agnes Miller, another aspiring actress, in a party with Weedon Grossmith and Brandon Thomas.[12] She again took part in an amateur production at St. George's Hall, in December 1885. A reviewer found her "most bewitching" as Eliza Ravenshaw in Time Will Tell by Herbert Gardner.[13]
In early 1886, she was in New York playing in the professional company of Rosina Vokes as Leslie Chester, with Weedon Grossmith. A review by Alan Dale of A Christmas Pantomime Rehearsal commented that "Miss Leslie Chester is so pretty that her dramatic sins can be magnanimously pardoned."[14][15] She portrayed Lettice Vane in Henry Hamilton's Harvest at the Princess's Theatre, London in September that year.[11] She created that role, as well as Nan in William Leonard Courtney's Kit Marlowe.[16][17] In 1887 she played Lydia Hawthorne during the original long run of Dorothy at the Prince of Wales's Theatre.[18]
Chester created the part of Lady Orreyed in The Second Mrs Tanqueray by Arthur Pinero, first performed in 1893.[19]
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Death
editChester (her married name by that time was Edith Earl) died of typhoid fever in Brighton, on 10 November 1894.[11] She had recently appeared as Mrs Pattleton, in Hot Water by Henry Brougham Farnie, an adaptation of La Boule by Henri Meilhac and Ludovic Halévy, at the Criterion Theatre.[20]
Family
editChester was twice married.
- Firstly, in 1887, to Frank Hallowell Carew, son of Benjamin Hallowell Carew of Beddington.[3] Chester was granted a decree absolute ending this marriage on 30 November 1893.[21]
- Secondly, on 12 January 1894, to Loftus Earl.[11]
Notes
edit- ^ a b Wildman, Stephen; Burne-Jones, Edward Coley; Christian, John; Crawford, Alan; Cars, Laurence Des (1998). Edward Burne-Jones, Victorian Artist-dreamer. Metropolitan Museum of Art. p. 248. ISBN 978-0-87099-858-4.
- ^ a b "Burne-Jones Catalogue Raisonné. Portrait Head of Miss Edith Gellibrand, nearly full face for The Golden Stairs". www.eb-j.org.
- ^ a b "Marriages". Reading Mercury. 2 April 1887. p. 5.
- ^ Timber and Wood-working Machinery. Middlesex Publishing Company. 1897. p. 206.
- ^ "Erik-Amburger-Datenbank - Datensatz anzeigen Gellibrand, Thomas Samuel". amburger.ios-regensburg.de (in German).
- ^ Truth. 1887. p. 283.
- ^ Jiminez, Jill Berk (15 October 2013). Dictionary of Artists' Models. Routledge. p. 580. ISBN 978-1-135-95914-2.
- ^ Crane, Walter (1907). An Artist's Reminiscences. New York: The Macmillan Company. p. 220.
- ^ The Theatre. Wyman & Sons. 1883. p. 181.
- ^ The Theater: A Monthly Review and Magazine. Wyman & Sons. 1884. p. 51.
- ^ a b c d Boase, Frederic (1960). Modern English Biography: A-H. Books on Demand. p. 649. ISBN 978-0-598-96802-9.
- ^ Brandon-Thomas, Jevan (1955). Charley's Aunt's Father: A Life of Brandon Thomas. Douglas Saunders. p. 102.
- ^ Scott, Clement (1885). The Theatre. p. 51.
- ^ Brown, Thomas Allston (1903). A History of the New York stage from the first performance in 1732 to 1901. New York, Dodd, Mead and company. p. 251.
- ^ Life. Life. 1882. p. 24.
- ^ Adams, William Davenport (1904). A Dictionary of the Drama; A guide to the plays, play-wrights, players, and playhouses of the United Kingdom and America, from the earliest times to the present. Vol. I. London, Chatto & Windus. p. 279.
- ^ "Courtney, William Leonard". Who's Who. A & C Black. Retrieved 4 May 2023. (Subscription or UK public library membership required.)
- ^ Leslie, Henry J. "Dorothy", Theatre Programme, Prince of Wales's Theatre (1887)
- ^ Kaplan, Joel H.; Stowell, Sheila (1994). Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press. p. 50. ISBN 978-0-521-49950-7.
- ^ Wearing, J. P. (21 November 2013). The London Stage 1890-1899: A Calendar of Productions, Performers, and Personnel. Scarecrow Press. p. 223. ISBN 978-0-8108-9282-8.
- ^ "The Carew Divorce". Manchester Courier. 30 November 1893. p. 7.
