Dead Cert is a 1974 British crime thriller film directed by Tony Richardson and starring Scott Antony, Geoffrey Bateman and Judi Dench.[1] It was written by ex jockey and Daily Telegraph racing correspondent Lord John Oaksey and Richardson, adaptated from the 1962 novel of the same name by Dick Francis.[2] Oaksey was also technical advisor and a riding double in the film.

Dead Cert
Film Poster
Directed byTony Richardson
Written byJohn Oaksey
Tony Richardson
Based onDead Cert
by Dick Francis
Produced byNeil Hartley
StarringScott Antony
Judi Dench
CinematographyFreddie Cooper
Edited byJohn Glen
Music byJohn Addison
Production
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Distributed byUnited Artists
Release date
  • May 1974 (1974-05)
Running time
99 minutes
CountryUnited Kingdom
LanguageEnglish

Plot

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Alan York is stunned when his dear friend, skilled jockey Bill Davidson is killed during a simple steeplechase. Convinced Davidson's death was no accident, York begins an investigation with a suspicion that Davidson's racehorse, Admiral, was drugged in a murderous act of sabotage. Assisting him as he delves into this world of high stakes, horses and gambling is Davidson's devoted widow, Laura.

Cast

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The horse Admiral was played by the three-day eventing champion Cornishman V, the same horse that played Arizona Pie in International Velvet.[3][4]

Production

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Some scenes were shot at Fontwell and Aintree.[5]

Release

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The film was premiered on 9 May 1974 at the London Pavilion, with guest of honour Princess Anne and Captain Mark Phillips. The film ran for three weeks in London before going on general release. It was the only Dick Francis novel to make it to the cinema.[5]

Reception

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The Monthly Film Bulletin wrote: "Dead Cert is rather revealing, as evidence of how a director experienced in other fields can take a toss on the deceptively simple terrain of a straightforward thriller. What it needs is basically what Dick Francis' heavily adapted original provided: robust action, a rising curve of suspense and a professional background accurate and interesting enough to ease the plot over its implausibilities. But Tony Richardson's film is all stop-start, never building real momentum, or even much sense of urgency around the doings of its oddly boorish, woman-encumbered hero as he prowls about a kind of Soho-on-Sea – strip clubs as a change of scene from stables. The picture also gets itself into quite a plot tangle about just what its villains are supposed to be doing  ...The unit went to some trouble to stage their own Grand National, with a field of chasing veterans, and a camera at one point strapped to a jockey's chest; a pity that the cut-in close shots and choppy editing spoil the effect."[6]

Other reviews in the UK were also not favourable. Its gross in the first 6 days at the Pavilion was a poor $5,349.[7]

Dick Francis later told Clive Hirschhorn of the Sunday Express that the film had been:

an utter disaster. I blame the director, Tony Richardson, for its failure. He chopped and changed it about so badly it was virtually unrecognisable. This was particularly embarrassing because Princess Anne sat next to me at the premiere. It was the first time I'd seen a completed version of the film and I was appalled. I'm sure the princess hated it, but, of course, she was very gracious.[5]

References

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  1. ^ "Dead Cert". British Film Institute Collections Search. Retrieved 25 August 2024.
  2. ^ LeVasseur, Andrea. "Overview:Dead Cert". Allmovie. Retrieved 26 August 2010.
  3. ^ Martin Vinnie Smith. British Horseracing Movies
  4. ^ 'The horse who made me: Cornishman V', in Horse & Hound, 19 July, 2004
  5. ^ a b c Graham Lord. Dick Francis, a Racing Life (1999), p. 261
  6. ^ "Dead Cert". The Monthly Film Bulletin. 41 (480): 95. 1 January 1974 – via ProQuest.
  7. ^ "Holdovers Doing Brisk London Business; Newies Rate Poor". Daily Variety. 23 May 1974. p. 4.
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