The Coxwold Pottery was a pottery studio based in the village of Coxwold, North Yorkshire, England, launched by artist potters Peter and Jill Dick in 1965, and in operation until 2012.[1]
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The pottery produced slipware decorated pottery, including kitchenware, tableware, planters and commemorative pieces, mostly thrown on the wheel.[1] Their methods varied over the years from low-fired earthenware to high-fired, the techniques changing somewhat when they largely changed over to electric kiln firing in the early 1980s.
William Alfred Ismay described their work as " . . practical and useful, and the overall impression is of warmth and generosity - a real 'country pottery' feeling".[2]
The Potters
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Peter Dick worked with Michael Cardew in Nigeria[3] then with Ray Finch at the Winchcombe Pottery in the Cotswolds.[4][5] An article by Peter, reminiscing on his experiences in Abuja with other background information, appeared in 'Interpreting Ceramics', Issue 3.[3][6] A valuable 'family tree' of potters shows his relationship to these potters.[7] His distinctive style of potting and decoration was well-recognised and shown in many exhibitions, for example the Craft Council Domestic Pottery year-long touring exhibition round the UK.[8] As well, a number of Museums and public collections have Peter Dick pots.[9] For example, the City of York Art Gallery 'Centre for Ceramic Art' (CoCA) records having 46 pieces of pottery by Peter Dick, 23 of these from the W. A. Ismay collection. A speciality became the making of large commemorative plates, these were often commissioned by customers to celebrate family events.[1]
As well as making pots, Dick participated in the studio pottery movement, being involved with the Crafts Council, the UK Craft Potters Association (board member for a period[10]) and the Northern Potters Association (of which he was a founder member.)
Jill Frances Dick (née Smith) was an artist and noted potter in her own right.[11] Having studied art at Gloucestershire College of Art, she established her own small pottery in Winchcombe. In the early years of the Coxwold Pottery, she actually produced more pottery than Peter, before family commitments reduced her activity. When she resumed her active potting, she developed an interest in raku ware. Her pottery was shown in various exhibitions and sold through outlets such as 'Contemporary Ceramics' and the 'Craftsmen Potters Shop and Gallery' in London.[11] In recognition of her skills and standing she was made an Honorary Member of the Craft Potters Association.
The Pottery
editCoxwold' pottery
editTheir products are usually referred to as 'Coxwold pottery', not as 'Peter Dick' or 'Jill Dick' pots. It does not refer to the business. The Pottery was just off the Oulston Road in Coxwold, originally this was a dairy barn with an orchard. The Pottery closed in 2012, following the death of Peter Dick.[9]
Wood firing techniques
editMost of their pottery was produced in a wood-fired kiln, a method that Peter Dick had observed while working with his mentor, Michael Cardew, in Abuja Nigeria from 1961 to 1962.[6][12] Though labour-intensive, needing an all-night firing, the ash from the kiln landing on the pottery gave the glaze a mottled effect to the largely brown to yellow glazes. The pottery especially in the early years was fired in a bourry fire box-style kiln, later a second chamber for stoneware was added.[10]
Marks
editThe pottery marks used by Coxwold Pottery were mostly an impressed mark in the form of an apple tree, as a reference to the orchard on the property. This changed slightly from 1969.[13] Peter and Jill had their own marks in the form of their initials.[13]
Outlets and exhibitions
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The pottery was sold through a number of outlets, including their own showroom in Coxwold, but also in London for a time through the Elizabeth David shop, Harrods,[10] 'Alicat',[2] and the 'Craftsmen Potter's Shop and Gallery' in Soho.[11] Coxwold pottery also featured in exhibitions across the UK and abroad, for example the Craft Council Domestic Pottery year-long touring exhibition round the UK, which then toured in France. Another exhibition which included examples of Peter Dick's work was 'Michael Cardew and Pupils', held at York Art Gallery in 1983, this also toured in the UK. The catalogue contained an article by Peter Dick, also published in 'Ceramic Review'.[14][12] Other exhibitions were 'York Potters', held at the Graves Art Gallery, London in 1978.[15] W. A. Ismay, wrote a review of a major exhibition of some 300 pieces of their pottery, held at the Craftsman Potter's Shop, London, September to October 1977.[2]
References
edit- ^ a b c Howie, Ian (November–December 2012). "'Peter Dick: an Appreciation'". Northern Potters Association News. pp. 10–12.
- ^ a b c Ismay, W. A. (January–February 1978). "Peter Dick – Recent Work". Ceramic Review. No. 49.
- ^ a b Harrod, Tanya (2012). The Last Sane Man: Michael Cardew. Yale University Press, for the Paul Mellon Centre for Studies in British Art. pp. 289, 290, 295, 378.
- ^ Edgeler, John (2006). Ray Finch, Craftsman Potter of the Modern Age: A Collection of Essays and Contributions'. Cotswolds Living Publications.
- ^ Wheeler, Ron (1998). Winchcombe Pottery: the Cardew-Finch Tradition. Oxford: White Cockade Publishing.
- ^ a b "Interpreting Ceramics: issue 3". interpretingceramics.com. Retrieved 21 December 2020.
- ^ Sanderson, Mike. "Ceramike - British Studio Pottery - Leach Potters Family Tree". www.ceramike.com. Retrieved 21 December 2020.
- ^ 'Domestic Pottery' (1977), Catalogue of a Crafts Advisory Committee Touring Exhibition, Crafts Council, Belmont Press, 24pp. The Committee. 25 April 1977. ISBN 0-903798-21-2.
- ^ a b "Peter Dick: Ceramicist, Maker". Walker Art Gallery. Retrieved 23 November 2018.
- ^ a b c Driver, Steve (2015). "An Apprenticeship with Peter Bruce Dick". Studio Potter. 43 (1 Winter/Spring 2015): 52–56.
- ^ a b c Borthwick, Pat (1990). "'Jill Dick – Potter'". Ceramic Review. No. 126. pp. 16–19.
- ^ a b Dick, Peter (March–April 1983). "Michael Cardew and Pupils". Ceramic Review. No. 80.
- ^ a b Yates-Owen, Eric; Fournier, Robert; Hazlewood, James (2015). British studio potters' marks (3 ed.). London: Bloomsbury Publishing. p. 784. ISBN 978-1-4081-8350-2.
- ^ Michael Cardew and Pupils, with contributions from Michael Cardew, Svend Bayer, Clive Bowen, Seth Cardew, Peter Dick and Ray Finch Exhibition Catalogue, York Art Gallery, 1983
- ^ "Crafts - November/December 1978". Crafts. November–December 1978. Retrieved 21 December 2020 – via Exact Editions.