Clothes for a Summer Hotel is a two-act play written in 1979–80 by Tennessee Williams concerning the relationship between novelist F. Scott Fitzgerald and his wife Zelda. A critical and commercial failure, it was Williams' last play to debut on Broadway during his lifetime. The play takes place over a one-day visit Scott pays the institutionalized Zelda at Highland Mental Hospital in Asheville, North Carolina, with a series of flashbacks to their marriage in the twenties. Williams began work in 1976 on what he envisioned as a "long play" about the Fitzgeralds (he eventually cut it down), and had Geraldine Page in mind to play Zelda from the start.[1]
Williams biographer Donald Spoto has argued that Scott's visit to Zelda was a clear representation of the playwright's frequent visits to his mentally incapacitated sister, Rose, in mental hospitals.[2] Williams himself admitted a close identification with Fitzgerald, saying, "At one point I went through a deep depression and heavy drinking. And I, too, have gone through a period of eclipse in public favor....[The Fitzgeralds] embody concerns of my own, the tortures of the creative artist in a materialist society....They were so close to the edge. I understood the schizophrenia and the thwarted ambition."[3] Williams also acknowledged feeling a kinship with Zelda and insisted, "I think that Zelda has as much talent as her husband did."[4]
After an unsuccessful out-of-town tryout in Washington, Clothes for a Summer Hotel opened at Broadway's Cort Theatre on March 26, 1980, with José Quintero directing and Page and Kenneth Haigh leading the cast. The play was interpreted by critics as a literal biography of the Fitzgeralds "that got its facts wrong" rather than a metaphorical play that alluded to Williams' life.[5] Walter Kerr of The New York Times even faulted the play for "the fact that Mr. Williams's personal voice is nowhere to be heard."[6] In addition to receiving poor critical notices, the play opened at the same time that New Yorkers were dealing with a heavy blizzard and a transit strike, and subsequently closed after fourteen performances.[7] As a result of the play's critical failure, Williams vowed that he would "never open a play in New York again....I can't get good press from the New York Times, and [critics] Harold Clurman, Brendan Gill and Jack Kroll hate me....I put too much of my heart in [my plays] to have them demolished by some querulous old aisle sitters."[8]
In 1981 Williams revised the play for the publication of its acting text by Dramatists Play Service; he then revised that text for the 1983 New Directions edition, which appeared posthumously.[9]
Footnotes
edit- ^ Spoto 1985, p. 329.
- ^ Spoto 1985, p. 339.
- ^ Spoto 1985, p. 345.
- ^ Devlin, Albert J., ed. Conversations with Tennessee Williams. Jackson, Miss.: University Press of Mississippi, 1986, pp. 321–322. ISBN 0-87805-263-1
- ^
Dorff, Linda. "Collapsing Resurrection Mythologies: Theatricalist Discourses of Fire and Ash in Clothes for a Summer Hotel." In Gross, Robert F., Ed. (2002). Tennessee Williams: A Casebook. New York: Routledge. ISBN 0-8153-3174-6.
{{cite book}}: CS1 maint: multiple names: authors list (link) p. 153. - ^ Kerr, Walter (1980-03-27). "The Stage: 'Clothes for a Summer Hotel'; People Out of Books" (fee required). The New York Times. Retrieved 2007-05-27.
- ^ Spoto 1985, p. 344.
- ^ Wallis, Claudia (1980-08-18). "People". Time. Archived from the original on November 25, 2010. Retrieved 2007-05-27.
- ^ Williams, Tennessee. Clothes for a Summer Hotel. New York: New Directions, 1983, xii. ISBN 0-8112-0870-2
References
edit- Spoto, Donald (1985). The Kindness of Strangers: The Life of Tennessee Williams. Boston: Little Brown. ISBN 0-306-80805-6.