The Carnegie Collection of British Music was founded in 1917 by the Carnegie Trust to encourage the publication of large scale British musical works. Composers were asked to submit their manuscripts to an anonymous panel. On the panel at various times were Hugh Allen, Granville Bantock, Arnold Bax, Dan Godfrey, Henry Hadow and Donald Tovey.[1][2] Up to six works per year were chosen for an award – publication at the expense of the Trust, in conjunction with music publishers Stainer & Bell. Unfortunately the war delayed things for the earliest prizewinners. The first to be published (in 1918) was the Piano Quartet in A minor by Herbert Howells. (It caught the attention of the young William Walton, who successfully submitted his own Piano Quartet to the panel six years later).[3] By the end of 1920 some 13 works were available. 30 were out by the end of 1922,[4] and when the scheme finally closed in 1928 some 60 substantial works that might not otherwise have seen the light of day had been issued under the Carnegie Collection of British Music imprint.[5]
Not all the works published were new and unknown. Some, such as Vaughan Williams' London Symphony and Rutland Boughton's opera The Immortal Hour were already long established pieces.[6] Stanford's Fifth Symphony, composed almost 30 years before, hadn't kept its place in the repertoire, but was published in recognition of the influential composer and teacher at the very end of his life.[1] Ernest Farrar, who died in 1918, was posthumously awarded publications in 1921 and 1925. However, many of the lesser known works and their composers have been all but forgotten today. A collection of most (over 50) of the scores is held at the Maughan Library (part of King's College London) on the Strand.[7]
In 1995 the BBC broadcast three programmes on the Carnegie Collection, providing the first modern recordings of some of the most neglected works. These included Edgar Bainton's Before Sunrise,[8] Norman Hay's String Quartet in A,[9] Ina Boyle's The Magic Harp, R O Morris' Quartet in A, Lawrence Collingwood's Poeme symphonique, Edward Mitchell's Fantasy Overture and John McEwen's Solway Symphony.[10]
Scores published
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- Concerto Fantasia, piano and orchestra (1920)[11]
- Before Sunrise, symphony for contralto solo, chorus, and orchestra (1922)
- Hebridean Symphony (1915, published 1920)
- Night Piece No 2 (The Shepherd), for voice (contralto or mezzo), flute, oboe, and piano (1925)[12]
- Pastoral Fantasy, for string quartet (1924)
- Rhapsody for flute, cor anglais, string quartet, bass and two voices, soprano and tenor (1921)[13]
- The Immortal Hour, music-drama (1914, published 1923)
- String Quartet No 2 in D minor, op 41 (1922)[14]
- The Magic Harp, orchestral rhapsody (1919, published 1922)[15]
- Snow Picture, for orchestra (1924)
- Elegy, for orchestra (1927)[16]
- The Sea, suite for orchestra (1910–11, published 1920)
- String Quartet in A minor, op 4 (1925)
- Poeme Symphonique, for orchestra (1918, published 1921)[17]
- Tam o’Shanter, concert overture (1891, published 1921)
- The Enchanted Garden, opera in one act, op 65 (1925)
- Three Rhapsodies, for string quartet, op 7 (1920)
- Concerto for String Orchestra, op 7 (1928)
- St Dominic Mass, for choir, orchestra, solo soprano, tenor and solo violin, op 51 (1923)
- Phantasy Concerto, for piano and chamber orchestra, op 64 (1926)
- English Pastoral Impressions, suite for orchestra (1921)
- Three Spiritual Studies, for string orchestra, op 33 (1925)
- A Severn Rhapsody, for chamber orchestra (1924)
- Prince Ferelon, or, The Princess’s Suitors: a musical extravaganza in one act
- The Blue Peter: a comic opera in one act (1925)
- The Western Playland: song-cycle for baritone voice, string quartet and piano (1926)
- Ludlow and Teme, song-cycle for tenor voice, string quartet and piano (1919)
- The Hound of Heaven, for baritone solo, chorus & orchestra (1919)
- String Quartet in A major (1920)
- Variations, Intermezzo, Scherzo & Finale, for orchestra (1927)
- The Hymn of Jesus, for two choruses, semi-chorus and full orchestra, op 37 (1919)
- Piano Quartet in A minor, op 21 (1918)
- Rhapsodic Quintet, clarinet quintet, op 31 (1921)
- Solway Symphony (1911, published 1922)
- Scottish Suite, for violins and piano (1928)[18]
- Sextet in G minor (1920)
- Double Fugue for Orchestra, op 10 (1927)
- Fantasy Overture, for orchestra (with six horns) (1922)[19]
- Fantasy, for string quartet (1922)
- Brown Earth, for chorus and orchestra (1922-3, published 1929)
- Ode on the Morning of Christ’s Nativity, for chorus and orchestra (1927-8, published 1929)
- The Princess Who Lost a Tune, ballet-mime (1927)
- Nativity Hymn, for chorus and orchestra (1923)
- Piano Quintet [No. 1] (1920, published 1925)[20]
- Symphony No 5 in D major (1894, published 1923)
- The Travelling Companion, opera in four acts, op 146 (1916, published 1925)
- A London Symphony (1914, published 1920)
- Quartet for Piano & Strings in C minor (1920)[21]
- Piano Quartet in A minor (1924)
- The Curlew, song cycle for tenor solo, flute, English horn, and string quartet (1924)
- The Nymph’s Complaint for oboe (or violin), viola & piano (1922)[22]
- Four Proverbs, for flute, oboe violin, viola and cello (1925)
- Among the Northumbrian Hills, free variations on an original theme for piano and string quartet (1922)
- A Lyke-Wake Dirge, for chorus and orchestra (1925)
- A Skye Symphony, op 38 (1928)[23]
- Two Hymns, for baritone solo, men’s voices, strings, piano and organ (1923)
- 'A Hymn to the Virgin' (words, anon.)
- 'The White Island' (words Herrick)
Further reading
edit- New Works by Modern British Composers: a Description, Carnegie UK Trust
- First series (Percy Scholes, 1921)
- Second series (Scholes, 1924)[24]
- Third series (W R Anderson, 1928)
References
edit- ^ a b Dibble, Jeremy. Charles Villiers Stanford: Man and Musician (2002) p 262
- ^ Craggs, Stewart R. 'Felix White, a centenary note' in Musical Times, April 1984, p 207-8
- ^ Lloyd, Stephen. William Walton: Muse of Fire (2002) p 25
- ^ 'Carnegie Trust' in Musical Times June 1922, p 420-1
- ^ Erpelding, Matthew William. The danger of the disappearance of things: William Henry Harris' The Hound of Heaven, University of Iowa dissertation (2014), Chapter 2
- ^ Letter from Adeline Vaughan Williams to the Carnegie United Kingdom Trust, 9 April 1917
- ^ King's College, London. Carnegie Collection of British Music
- ^ Radio Times Issue 3742, 5 October 1995, p 134<
- ^ Radio Times Issue 3743, 12 October 1995, p 122
- ^ Radio Times Issue 3744, 19 October 1995, p 128
- ^ Guardian review, 7 March 2008
- ^ Scowcroft, Philip. Man of Parts: Herbert Bedford
- ^ Letter from Ralph Vaughan Williams to the Carnegie United Kingdom Trust, 15 December, 1920
- ^ Gramophone review
- ^ Stainer & Bell. The Magic Harp, reissued 2019
- ^ Leach, Gerald. British Composer Profiles (3rd edition, 2012) p 37
- ^ Glover, Cedric. 'Lawrence Collingwood' in The Musical Quarterly, April 1926, p 295
- ^ Mark, Jeffrey: 'Recollections of Folk-Musicians' in Musical Quarterly, Vol 16 No 2, April 1930, p 170-185
- ^ Radio Times Issue 55, 12 October 1924, p 105
- ^ Easterbrook, Giles. Notes to Naxos CD 8.571355 (2015)
- ^ Dutton Epoch CDLX7396 (2022), reviewed at MusicWeb International
- ^ The Nymph's Complaint, score at IMSLP
- ^ Schaarwächter, Jürgen. Two Centuries of British Symphonism: From the beginnings to 1945 (2015), p 369
- ^ Trinity College Dublin: Digital Collections
