Carla Marja Olga Van Zon ONZM (born 20 January 1952) is a New Zealand retired artistic director. She worked on international opportunities for New Zealand artists at Creative New Zealand, before becoming artistic director of the New Zealand International Festival of the Arts in Wellington in 1996. From 2013 she was the Artistic Director of the Auckland Arts Festival, where she was responsible for commissioning works such as the opera The Bone Feeders. Van Zon has been responsible for supporting the careers of many New Zealand artists. She retired from the Auckland Arts Festival in 2017, following a diagnosis of kidney disease in 2016.
Carla Van Zon | |
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Born | Carla Marja Olga Van Zon 20 January 1952 Te Atatū, New Zealand |
Alma mater | University of Otago George Washington University |
Occupation | Arts director |
Employer(s) | Creative New Zealand New Zealand Festival of the Arts Auckland Arts Festival |
Awards | Arts Wellingtonian of the Year (2005) Lifetime Achievement Award, Auckland Theatre Awards (2016) NEXT Woman of the Year (arts & culture) (2017) |
Early life and education
editVan Zon was born in Te Atatū in West Auckland on 20 January 1952.[1][2] Her parents were Dutch immigrants who had arrived via Indonesia.[2] Van Zon's mother was a contemporary dance teacher and her father worked for Pan Am.[3] She studied contemporary dance at the University of Otago in Dunedin,[4] earning a degree in Physical Education, and then became a physical education teacher at Green Bay High School.[2] In the early 1980s she earned an MA in Dance and Arts Administration at George Washington University.[1][2]
Career
editVan Zon's career in arts administration began in Creative New Zealand, where she worked to improve international opportunities for New Zealand artists.[3][1] She managed New Zealand's entry to the 2009 Venice Biennale.[1]
She was involved with the New Zealand International Festival of the Arts in Wellington from 1989, and from 1996 she was Executive Director, and was appointed as Artistic Director in 2000.[1][5] Van Zon helped the festival turn a profit for the first time, and during her time it won four national tourism awards and the Dominion Gold Award for outstanding contribution to the Wellington economy.[1][5]
From 2013 to 2017 she was the artistic director of the Auckland Arts Festival, managing four festivals over that period, and doubling the attendance records.[1] Of her approach to the festival being in Auckland and part of the Pacific, arts festival programme manager Tama Waipara said "The first thing was she put tangata whenua front and centre ... She said we have to know who we are and where we are."[3]
In 2011, Van Zon asked Renee Liang to rewrite her play The Bone Feeders as an opera, and when New Zealand Opera decided not to be involved, Van Zon commissioned it for the Auckland Festival.[3] She has also been instrumental in the careers of writer and actor Nancy Brunning, directors Jason Te Kare and Sara Brodie, writers Mei-Lin Te Puia Hansen, Victor Rodger, and Hone Kouka, composers Gareth Farr, John Psathas and Dame Gillian Whitehead.[1]
She was diagnosed with chronic kidney disease in June 2016,[1] and retired from the festival at the end of April 2017.[6] She lives in Ōtaki, north of Wellington, with husband Gregg Fletcher.[3][7]
Van Zon is a board member of the charity Track Zero, which aims to connect artists and scientists to create work about climate change, and has written about the importance of artists speaking out against climate change.[8]
Honours and awards
editIn the 2000 Queen's Birthday Honours, Van Zon was appointed an Officer of the New Zealand Order of Merit, for services to the arts.[9]
Van Zon was voted the Arts Wellingtonian of the Year for 2005.[1]
In 2016, she was awarded the Lifetime Achievement Award at the Auckland Theatre Awards.[1] In 2017, she was named 2017 NEXT Woman of the Year, in the Arts & Culture category.[10]
In 2019, she was awarded an honorary doctorate of laws from the University of Otago, and during the graduation ceremony she urged those present to "Be curious, be open to people and experiences, take slow steps and enjoy the journeys down different pathways."[5][11]
References
edit- ^ a b c d e f g h i j k "Carla van Zon – Trustee". The New Zealand Dance Company. Archived from the original on 5 June 2021. Retrieved 6 June 2021.
- ^ a b c d "Auckland's queen of arts: Carla van Zon's final curtain call". www.metromag.co.nz. Archived from the original on 6 June 2021. Retrieved 6 June 2021.
- ^ a b c d e Wilson, Simon (16 April 2017). "The last dance of Carla van Zon". The Spinoff. Archived from the original on 26 February 2021. Retrieved 6 June 2021.
- ^ Smaal, Elizabeth; Van Zon, Carla (10 November 1999). "Interview with Carla van Zon". Interview with Carla van Zon | Items | National Library of New Zealand | National Library of New Zealand. Archived from the original on 6 June 2021. Retrieved 6 June 2021.
- ^ a b c McPhee, Elena (29 November 2019). "Otago to confer four honorary doctorates". Otago Daily Times Online News. Archived from the original on 6 June 2021. Retrieved 6 June 2021.
- ^ "Auckland Arts Festival Reception". gg.govt.nz. Archived from the original on 6 June 2021. Retrieved 6 June 2021.
- ^ "Carla van Zon's Otaki art oasis". Stuff. 6 March 2015. Archived from the original on 6 June 2021. Retrieved 6 June 2021.
- ^ Zon, Carla van (23 September 2019). "Making the heart leap in joy, and anger: Why art is pivotal to our climate response". The Spinoff. Archived from the original on 19 February 2021. Retrieved 6 June 2021.
- ^ "The Queen's Birthday Honours List 2000 (including Special List for East Timor)". Department of the Prime Minister and Cabinet. Archived from the original on 21 May 2021. Retrieved 6 June 2021.
- ^ Clifton, Emma. "NEXT Woman of the Year winners' stories". Now To Love. Archived from the original on 6 June 2021. Retrieved 6 June 2021.
- ^ Gibb, John (12 December 2019). "Urged to be curious and open". Otago Daily Times Online News. Archived from the original on 6 June 2021. Retrieved 6 June 2021.
External links
editRadio New Zealand interview with Van Zon, 2019