At Grace Cathedral (also known as Vince Guaraldi at Grace Cathedral and The Grace Cathedral Concert) is a live performance album by jazz pianist Vince Guaraldi, released in the U.S. in September 1965 on Fantasy Records.

At Grace Cathedral
Live album by
ReleasedSeptember 1965
RecordedMay 21, 1965 (1965-05-21)
VenueGrace Cathedral, San Francisco, California
Genre
Length39:11
LabelFantasy
Vince Guaraldi chronology
From All Sides
(1965)
At Grace Cathedral
(1965)
A Charlie Brown Christmas
(1965)
Singles from At Grace Cathedral
  1. "Theme to Grace"
    Released: 1965
Alternate cover
Fantasy 1997 CD release cover art
Professional ratings
Review scores
SourceRating
AllMusic[1]
All About Jazz[2]
Five Cents Please[3]
The Penguin Guide to Jazz Recordings[4]

The performance was recorded live at Grace Cathedral in San Francisco, California on May 21, 1965.[3][5] It is considered to be the world's first "jazz mass" presented during a church service.[6][7]

At Grace Cathedral was released on CD in 1997 by Fantasy under the title The Grace Cathedral Concert.[3]

Background

edit

In an effort to make religious worship more approachable during the growing counterculture movement of the 1960s, the Reverend Charles Gompertz approached local jazz pianist Vince Guaraldi to create what he called a "modern setting for the choral Eucharist."[3] Guaraldi spent every Saturday over a period of 18 months rehearsing with the 68-voice St. Paul's Church of San Rafael choir to create a seamless blend of three unique elements for the performance: spoken (or chanted) prayers and greetings, vocals with the choir, and purely instrumental selections.[3][8]

Guaraldi understood the significance of his performance: "I had one of America's largest cathedrals as a setting, a top choir, and a critical audience that would be more than justified in finding fault. I was in a musical world that had lived with the Eucharist for 500-600 years, and I had to improve and/or update it to 20th-century musical standards. This was the most awesome and challenging thing I had ever attempted."[9]

The album liner notes pointed out that audience members in attendance commented that "Theme For Grace" was reminiscent of supper music. Rev. Gompertz replied, "that's the idea. What does Communion represent but the Last Supper — the last time these men ate together?"[2]

The song titles were chosen by Rev. Gompertz rather than Guaraldi at the behest of Fantasy Record executives. As the religious service was one long, uninterrupted performance, Fantasy asked Gompertz to divide the resulting recording into segments that would make sense in the context of a commercially released album.[3]

Guaraldi recruited several children from the St. Paul's Church of San Rafael choir several months later to record vocals for "Christmas Time Is Here", "My Little Drum" and "Hark! The Herald Angels Sing" for A Charlie Brown Christmas.[10]

Critical reception

edit

In a contemporary review, Time magazine stated that "even as composed by professionals, liturgical jazz is inevitably something of a special taste, and too distracting for the average congregation. Moreover, the uptempo rhythms of modern jazz chafe against the stately language of the Roman Missal or the Book of Common Prayer".[11]

AllMusic critic Richard S. Ginell commented that "Guaraldi's Mass fuses his mainstream and Latin strains comfortably and movingly underneath the plain vanilla Gregorian lines and Anglican plainchant of a 68-voice chorus."[1] Ginell added that "in a year that also saw Duke Ellington, Dave Brubeck and Lalo Schifrin write jazz-based pieces for the church, Vince Guaraldi may have come up with the most effective sacred work of the four."[1]

All About Jazz critic Douglas Payne dubbed At Grace Cathedral "Peanuts Go To Church." Payne added that most songs "employ Guaraldi's knack for pretty, childlike themes — a perfect tone for the material."[2]

Legacy

edit

Guaraldi's jazz-infused performance at Grace Cathedral was considered groundbreaking for its time, being the first instance that a mainstream jazz musician was heard during an American church service.[8]

Several parishes across the United States celebrated the 50th anniversary of the event in 2015. Sacramento, California-based pianist Jim Martinez and his quartet recreated the jazz mass in its entirety at Grace Cathedral on August 15, 2015. The Fair Oaks Presbyterian Church Choir as well as several surviving members of the original St. Paul's Church of San Rafael choir who performed alongside Guaraldi in 1965 performed with Martinez for the event.[8]

The First Presbyterian Church of Clarks Summit in Clarks Summit, Pennsylvania, under the direction of Rev. Bill Carter, also honored the performance on September 6, 2015. Carter performed Guaraldi's keyboard parts with vocal support from members of the First Presbyterian adult choir. The tribute performance marked the first time that Guaraldi's jazz mass was presented in its entirety on the East coast.[12]

Track listing

edit

The following track listing is for the original 1965 vinyl release.

All tracks are written by Vince Guaraldi and the Diocese of San Francisco

Side One
No.TitleLength
1."The Bishop's Greeting" (spoken word by Bishop James Pike[3])1:54
2."Kyrie Eleison"2:01
3."Come With Us, O Blessed Jesus"3:07
4."Nicene Creed (I Believe)"2:22
5."Come Holy Ghost"1:45
6."Theme to Grace"4:10
7."Sursum Corda and Sanctus"2:29
8."The Lord's Prayer"1:42
9."Agnus Dei (O Lamb Of God)"1:21
Side Two
No.TitleLength
10."Holy Communion Blues" (instrumental)11:40
11."Adore Devote (Humbly I Adore Thee)"2:46
12."In Remembrance of Me" (instrumental)1:53
13."Gloria in Excelsis"1:24
14."Blessing – Bishop Pike" (spoken word by Bishop James Pike[3])0:37
Total length:39:11

Personnel

edit
Vince Guaraldi Trio
Additional
  • St. Paul's Church of San Rafael 68-voice choir – choral chanting[3]
  • Barry Mineah – St. Paul's Church of San Rafael choral director[2]
  • Reverend David A. Crump – chanted prayers ("Sursum Corda and Sanctus", "The Lord's Prayer"),[3] liner notes
  • Reverend Charles Gompertz – liner notes
  • Reverend Malcolm Boyd – liner notes
  • Paul Frederick Zumsteg – liner notes
  • Jim Easton – sound engineer
  • Soul S. Weiss – sound engineer

References

edit
  1. ^ a b c Ginell, Richard S. "At Grace Cathedral". AllMusic. Retrieved May 12, 2020.
  2. ^ a b c d Payne, Douglas (August 1, 1997). "Review: Vince Guaraldi: The Grace Cathedral Concert". All About Jazz. Retrieved May 12, 2020.
  3. ^ a b c d e f g h i j Bang, Derrick. "Vince Guaraldi on LP and CD: At Grace Cathedral". fivecentsplease.org. Derrick Bang, Scott McGuire. Retrieved May 12, 2020.
  4. ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 614. ISBN 978-0-141-03401-0.
  5. ^ "Grace Cathedral Discography". Grace Cathedral. 2015. Archived from the original on January 21, 2015. Retrieved May 12, 2020.
  6. ^ Bang, Derrick (2012). Vince Guaraldi at the Piano. Jefferson, North Carolina (U.S.): McFarland. p. 143. ISBN 978-0-7864-5902-5. Retrieved December 12, 2011.
  7. ^ Thomas, Andrew (November 17, 2016). "Anatomy of Vince Guaraldi Documentary Re-Discovers Long-Lost Jazz Treasures". PRWeb. Retrieved June 4, 2020.
  8. ^ a b c Moskowitz, Gary (August 7, 2015). "Vince Guaraldi's Jazz Mass Re-Created for Grace Cathedral". SF Weekly. Retrieved May 15, 2020.
  9. ^ "Celebrating Americans: Vince Guaraldi". unconservatory.org. The Unconservatory. February 10, 2006. Retrieved June 3, 2020.
  10. ^ Bang, Derrick (September 20, 2014). "How Vince Guaraldi Made Charlie Brown Cool". medium.com. Archived from the original on June 14, 2020. Retrieved June 4, 2020.
  11. ^ "Religion: Liturgy; Cool Creeds". Time. July 9, 1965. Retrieved October 29, 2022.
  12. ^ Tucker, Cody (September 1, 2015). "Jazz mass at First Presbyterian Church of Clarks Summit to honor late 'Peanuts' musician Vince Guaraldi". The Abington Journal. Retrieved May 15, 2020.
edit