Émilie Lerou (18 May 1855 – 11 June 1935) was a French stage actress and writer who was nominated for the 1904 Nobel Prize in Literature.[2]
Émilie Lerou | |
|---|---|
 Emile Lerou photographed by Frédéric Boissonnas[1] | |
| Born | 18 May 1855 |
| Died | 11 June 1935 (aged 80) |
| Other names | Pierre Nahor |
| Occupation(s) | Actress, novelist |
| Parent(s) | Martin Lerou and Hermine Bizot née Lerou |
Biography
editLeroux was born on 18 May 1855 to Martin Lerou and Hermine Bizot née Lerou. She became famous as a talented dramatic actress, receiving her acting training from Louis-Arsène Delaunay.[3] Since 1880, she played at the Comédie-Française Théâtre, and then at the Odéon-Théâtre in Paris.[3]
In 1903, under the pseudonym Pierre Nahor, she published the novel Hiésous ("Jesus") with a foreword by Marcel Schwob. The book, based on the Gospel of John, presents an unusual interpretation of the life of Jesus Christ, which led to mixed assessments by contemporaries. The following year, Académie Française member Jules Claretie nominated her for the Nobel Prize in Literature. Together with Selma Lagerlöf, she was only the second woman to be proposed for such honor after Malwida von Meysenbug in 1901.[2]
Hiésous subsequently received some attention in research on literary representations of Jesus' life. German theologian Albert Schweitzer recognized parts of the novel as an examination of Lerou's own "religious-philosophical ideas". The book locates Jesus in the realm of "legend and poetry", and the novel also stands in the tradition of "sentimal descriptions" of Jesus' life and environment, as were common around a hundred years before Lerou's own novel.[4]
In 1908, she published a memoir entitled Sous le masque: Une vie au théâtre ("Under the Mask: Life in the Theater") which earned recognitions in literary circles. Over the next few decades, until shortly before her death, Lerou repeatedly changed and added to the text; a new edition of the work was published in 1935. She fictionalizes her life, with a young girl from Russia as the protagonist.[5] The American novelist and medievalist Urban Tigner Holmes Jr. reviewed the book in 1937 as "an intimate picture of the French theater world as it existed before the Great War." He described the work as "lively and insightful" and recommended it as supplementary reading for college courses on modern theater.[5]
Lerou died on 11 June 1935 in Paris, France.
References
edit- ^ https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/portrait-de-mlle-lerou-actrice-au-theatre-francais
- ^ a b "Nomination archive – Émilie Lerou". nobelprize.org. April 2020. Retrieved 17 November 2023.
- ^ a b Ambroise Tardieu: Histoire généalogique des Tardieu. Ambroise Tardieu, Herment 1893, p. 248 archive.org
- ^ Albert Schweitzer: From Reimarus to Wrede: a history of research into the life of Jesus. Mohr Siebeck Verlag, Tübingen 1906, p. 324–325 archive.org
- ^ a b Urban Tigner Holmes, Jr.: Émilie Lerou. Sous le masque. A vie at the theater. Paris. Jean Cres. 1935. 251 pages. In: Books Abroad. tape 11, no. 3, 1937, ISSN 0006-7431, p. 323, doi: 10.2307/40078553, JSTOR: 40078553.
External links
edit- Émilie Lerou at Les Archives du spectacle (in French)
- Émilie Lerou at the Comédie-Française (in French)
- Émilie Lerou in the Archive of Performances of Greek and Roman Drama at the University of Oxford (in English)
- Pierre Nahor (Emilie Lerou): Jesus. In: Pester Lloyd, July 26, 1905, p. 7 (online at ANNO)