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Priya Sarukkai Chabria

Priya Sarukkai Chabria is an Indian poet, translator and novelist writing in English, and a curator.[1] She has written four poetry collections, two speculative fiction novels, translations from Classical Tamil, literary nonfiction, and a novel. She has edited two poetry anthologies. She is also founding editor of Poetry at Sangam, an Indian online literary journal of poetry.[1]

Priya Sarukkai Chabria
Born1955
OccupationAuthor, poet, novelist, translator
NationalityIndian
CitizenshipIndian
Notable worksNot Springtime Yet, Andal: The Autobiography of a Goddess, Clone, Sing of Life, Bombay/Mumbai:Immersions
Notable awardsFellowship from the Indian Government, Muse India Translation award
Website
priyasarukkaichabria.com

She has also written a 're-visioning' of Gitanjali by Rabindranath Tagore. This work, as per Sarukkai Chabria's interview in the Hindustan Times "retained the ideas and feelings of the original but pared and updated the language while arranging the words more freely on the page"[2].

She was awarded for Outstanding Contribution to Literature by the Indian government.[3]

She is a member of the Advisory Council of G100 and Writers Immersion and Cultural Exchange, Australia.[4]

Her poems have been translated into several languages, Indian and European.[5]

Writing about Sarukkai Chabria's work, the eminent scholar of Indian poetry, Bruce King, said: "...she is a highly competent writer aware of form, of poetic conventions in many different language traditions, with a feeling for cadence, lineation, image, compression and sound. She ranges through an impressive variety of themes and manners".[6] American poet Dennis Nurkse, a Literature Awardee from the American Academy of Arts and Letters, Guggenheim Fellowship, said Sarukkai Chabria possesses an "ability to handle historical and mythic material in ways that make them completely new".

Life and career

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She was born in Chennai; her mother was Saroja Kamakshi and father, Vasu Gopalan Sarukkai. Her sibling is Malavika Sarukkai, a Bharatnatyam dancer. Priya Sarukkai Chabria studied at Cathedral and John Connon School, and went on to secure a degree in Arts at St. Xaviers College in Mumbai. She has a post graduate diploma in Mass Communication from St Xaviers. She is married to Prof. Suresh Chabria, who taught at Film and Television Institute of India (FTII) and was also the Director of the National Film Archive, Pune. Priya Sarukkai Chabria co-founded a film club, Friends of the Archive, which focussed on screening silent films. She has worked in an assortment of fields from advertising to journalism. She conducted research at the Bhandarkar Oriental Research Institute (BORI) in subcontinental aesthetic traditions. She lives in Pune with her husband.

Besides writing, Sarukkai Chabria has also presented her work and availed residencies at Writer’s Centre, Norwich, Sun Yat-sen International Writers Program, Guangzhou, Commonwealth Literature Conference, Innsbruck, Alphabet City, Canada, Frankfurt Book Fair, UCLA, Jaipur Literature Festival, and Indian Institute of Advanced Studies. She has curated seminars for Sahitya Akademi, Raza Foundation- PIC, and a module of essays on Rasa theory for Sahapedia.[7][8]

Awards

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She has been cited for 'Outstanding Contribution to Literature' by the Government of India.

Chabria, with poet Ravi Shankar, translated the songs of 8th century Tamil poet Andal in her book Andal: The Autobiography of A Goddess. The book won the 2017 Muse India translation award at the Hyderabad Literary Festival.[2][3]

The Experimental Fiction Award in The Best Asian Speculative Fiction 2018, an anthology published by Kitaab International.[9]

Her speculative novel Clone was called 'one of the best reads of 2018, by The Feminist Press.[10]

Books

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Poetry

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  • Sing of Life: Revisioning Tagore’s Gitanjali. Context, Westland. 2021. ISBN 939067994X.
  • Calling Over Water. Mumbai: Paperwall Media & Publishing Pvt. Ltd. 2019. ISBN 978-9382749981.
  • Not Springtime Yet. New Delhi: HarperCollins Publishers India, a joint venture with the India Today Group. 2008. ISBN 9788172237714.

Novels (speculative fiction)

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Translations

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  • With Shankar, Ravi (2016). Andal: The Autobiography of a Goddess. Zubaan, University of Chicago Press. ISBN 9789384757670.

Nonfiction

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Bombay/Mumbai :Immersions with photographer Christopher Taylor, Niyogi Books, New Delhi, 2013, ISBN 9789381523681

As editor

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As contributing editor

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Divining Dante. Australia: Recent Work Press. 2021. ISBN 9780645009057.[12]

Curation

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She also curated seminars for Sahitya Akademi, the Indian academy of letters.[13]

Participation in writers' residencies

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  • Writers’ Centre, Norwich
  • Sun Yat-sen University International, China.[14]

As contributor to anthologies

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A partial list:[15]

  • Dialogues and Other Poems. Delhi: Sahitya Akademi. 2005. ISBN 9798126019914.
  • Another English: Anglophone Poems from Around the World
  • Adelphiana
  • Asymptote
  • Drunken Boat
  • PEN International
  • Post Road
  • Reliquiae
  • The Literary Review
  • The Gollancz Book of South Asian Science Fiction
  • The HarperCollins Book of English Poetry
  • The British Journal of Literary Translation
  • Language for a New Century
  • Voyages of Body and Soul

As contributor to speculative fiction anthologies

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Blanket, Relatively True: Stories of Truth, Deception, Post-Truth From the Indian Subcontinent and Australia, Eds. Meenakshi Bharat & Sharon Rundle, Orient Black Swan, Hyderabad, 2022

Cockaigne A Reappraisal (Draft) by Dr. Indumati Jones, Kitaab Anthology, Singapore, 2023

Dreaming Of The Cool Green River, New Horizons: The Gollancz Book of South Asian Science Fiction, Ed. Tarun K Saint, Gollancz, London, 2019

Flyby, Solarpunk Creatures: Climate Fiction for Future Ancestors, World Weavers Press, New Mexico, 2023

Fragments from the Book of Beauty, Breaking the Bow: Speculative Fiction Inspired by The Ramayan, Ed. Anil Menon & Vandana Singh , Zubaan, New Delhi, 2012

I Had A Dream, Ecoceanic: Global South Science Fiction, Eds. Tarun K Saint & Francesco Verso, Future Fiction, Roma, 2023

Kairos, No News 90 Poets Reflect on a Unique BBC Newscast, Ed. Paul Munden, Alvin Pang & Shane Strange, Recent Work Press, Canberra, 2020

Listen: A Memoir, Multispecies Cities Solarpunk Urban Futures, Eds. Christoph Ruppretch, Deborah Cleland, Norie Tamura, Rajat Chaudhuri and Sarena Ulibarri, World Weaver Press, New Mexico, 2021

Manikkavachakar’s Space Odyssey, Divining Dante, Eds. Paul Munden & Nessa O’Mahony, Recent Work Press, Canberra, 2021

Menaka Tells Her Story, Inner Line: The Zubaan Anthology of Stories by Indian Women, Ed. Urvashi Butalia, Zubaan, New Delhi, 2006

Mid-Term Ecolit Examination Paper, The Mithila Review, Ed. Salik Shah, March 2020

On a dissolving ice floe, Consequence, Spring 2022, Volume 14.1, Eds Matthew Krajniak & Katherine Hollander, Houston, 2022

Paused, Avatar: Contemporary Indian Science Fiction, Eds. Tarun K Saint & Francesco Verso, Future Fiction, Roma, 2020

Release (A ‘What if’ Manifesto: Imagine), The Freedom Issue, 2022, Open Magazine

Scavenger, The Gollancz Book of South Asian Science Fiction Volume 2, Ed. Tarun K Saint, Hachette India, Gurugram, 2021

Forthcoming work

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Sarukkai Chabria is working on a memoir based on her recollections of her family accessed through a series of photographs reconstructed in words. She writes of having lost access to the photos after the demise of her mother in 2013. In her memoir, she is writing about them in order to "re-construct my past and familial connections in the best way I know: through words". The goal is to "reclaim my childhood and teenage years, re-establish relationships with elders... and revalidate my existence as a loved member of a family"[16].

Critical reception

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In New Asian Writing, poet, translator and editor Aryanil Mukerjee described Sarukkai Chabria's Calling Over Water as "postmodern travel poetry" and a "poetic exercise of intertextuality rare to be found in Anglophone Indian poetry".[17] In The Wire, writer, critic and academic Uttaran Das Gupta said Calling Over Water continued Sarukkai Chabria's "cross-genre explorations" and penchant for "elaborate references, experiments with form, and dauntless exploration of emotions".[18]

Poet George Szirtes, T.S. Eliot Memorial Poetry Prize awardee for 2004, described Not Springtime Yet as ’The poems are passionate, sensuous and intelligent, full of energy and enterprise. They hold their dramatic shapes with grace and establish her as a poet to read and return to time and again'.[19]

Writing in Scroll.in, Apala Bhowmick described the novel Clone as "a fresh, genre-bending variety of Indian speculative fiction – a compound comprising elements of magic realism, stream-of-consciousness narration, fabulist storytelling and certain characteristics of historical fiction". The speculative novel was said to be "the author’s attempt to position the role played by literature in this perplexed, dehumanised society".[20]

In The Indian Express, TM Krishna, Carnatic vocalist, writer, activist and Ramon Magsaysay awardee, said, "She uses the play of image, experience and thought (that Andal miraculously bundles into a word or two) to excavate Andal. She enters her source through the membrane of Andal’s imagination, only to subsume herself within it." Krishna summed up, "Her nuanced interpretations give Andal a present aesthetic reality".[21]

References

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  1. ^ "Legend of the clone". The Hindu. 1 April 2008. ISSN 0971-751X. Retrieved 29 September 2018.
  2. ^ "Muse India Prize Panel on Translations". Hyderabad Literary Festival 2019. Retrieved 29 September 2018.
  3. ^ "Three new attractions at HLF 2018". The New Indian Express. Retrieved 29 September 2018.
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