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Frank Leslie's Illustrated Newspaper

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Frank Leslie's Illustrated Newspaper, later renamed Leslie's Weekly, was an American illustrated literary and news magazine founded in 1855 and published until 1922. It was one of several magazines started by publisher and illustrator Frank Leslie.

Frank Leslie's Illustrated Newspaper
USS Governor Milton by Frank Leslie's Illustrated Newspaper
CategoriesLiterary and news
PublisherFrank Leslie
First issue1855
Final issue1922
CountryUnited States

Throughout its existence, the weekly provided illustrations and reports—with wood engravings, lithographs and steel engravings based on sketches and photography, beginning with daguerreotypes and later with more advanced forms of photography—of wars from John Brown's raid at Harpers Ferry and the Civil War to the Spanish–American War and the First World War - and numerous other articles of topical interest.

Surviving issues today are prized by collectors for their vividly depicting American life during the seven decades of its existence. Many distinguished writers were featured in its pages.

History

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Background

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Frank Leslie was the pen name of Henry Carter (1821–1880), the son of a well-to-do English glovemaker.[1] Carter had taken up the art of wood engraving over his father's objection and emigrated to New York City to make his own way in the world, arriving in 1848.[1] Carter—who adopted the Frank Leslie name immediately upon his arrival—was unable to find a position as an illustrator with an established newspaper in the city and was forced to open his own business, a small engraving shop on Broadway.[2]

One of Leslie's early clients was promoter P. T. Barnum, who commissioned Leslie to produce a posh illustrated concert program for singer Jenny Lind in 1849.[3] Additional work was done for Barnum for another Lind tour in 1850 and 1851.[3] When Barnum decided to launch a publication called The Illustrated News in 1853, he turned to Leslie, hiring him as chief engraver for the short-lived publication, which failed within its first year of existence.[3]

Out of a job once more, Leslie decided to begin publishing on his own, launching two new periodicals in 1854—Frank Leslie's Ladies' Gazette of Fashion, a fashion-oriented newspaper, and Frank Leslie's Journal of Romance, an illustrated fiction magazine.[3] Both of these publications proved to be financially lucrative, and in 1855, Leslie added a third publication to his stable, an illustrated news weekly called Frank Leslie's Illustrated Newspaper.[3]

Early years

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Leslie's Civil War lithographic sketch of the Battle of Honey Springs was published August 29, 1863.

The first years of Frank Leslie's Illustrated Newspaper were difficult, with the nation undergoing a business crisis in 1857.[3] The drama of the massive American Civil War in 1861, though, ensured the success of Leslie's Newspaper, as tens of thousands of readers turned to Leslie's and the upstart Harper's Weekly for their sometimes lurid illustrations of the bloody conflict.[3] A Leslie's freelancer, James R. O'Neill, is believed to have been the only Civil War correspondent killed in action in the Civil War.[4][5]

No daily newspaper in America consistently carried illustrations until the launch of the New York Daily Graphic in 1873, by which time Leslie's Newspaper was a massive and prosperous concern, employing more than 300 people, including 70 illustrators, as part of a publishing empire which by now spanned seven publications.[3]

Production process

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Veiled Prophet Parade, 1878, St. Louis, Missouri. Woodcut by Edward Jump from Frank Leslie's Illustrated Newspaper, October 1878

Leslie's Newspaper averaged 16 pages and was frequently accompanied by supplements or expanded into special thematic editions.[6] Content strove to be timely, focusing on the newsworthy events of the previous week, often within days of its occurrence, a novelty for the era.[6] Art was produced by teams, with initial sketches selected by an editor and turned over to an illustrator, who produced an outline drawing.[6] The outline was then applied to a block consisting of multiple layers of Turkish boxwood and additional detail added by specialized artists.[6]

The large block of wood was then separated into its constituent pieces and turned over to the engraving department, which meticulously carved out the white sections, leaving the black illustration in relief.[6] The sections of the wood block were then rejoined and sent to the composing room, where the illustration was converted to part of an electrotyped copper plate for printing.[6]

Years after Frank Leslie's death

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After Leslie's death in 1880, the magazine was continued by his widow, women's suffrage campaigner Miriam Florence Leslie. The name, by then a well-established trademark, remained also after 1902, when it no longer had a connection with the Leslie family. The magazine was merged into Judge (which was under the same ownership) effective with the June 24, 1922 issue,[7] having switched to a monthly publication in February, 1921, shortly after its parent company was placed into receivership.[8]

It often took a strongly patriotic stance and frequently featured cover pictures of soldiers and heroic battle stories. It also gave extensive coverage to less martial events such as the Klondike gold rush of 1897, covered by San Francisco journalist John Bonner.

Among the writers publishing their stories in the weekly were Louisa May Alcott, H. Irving Hancock, Helen R. Martin, Eleanor Franklin Egan, and Ellis Parker Butler. Several notable illustrators worked for the publication, including Albert Berghaus and Norman Rockwell, who created covers for the magazine in its latter years, Emmett Watson, and Fernando Miranda y Casellas. James Montgomery Flagg's iconic depiction of Uncle Sam first appeared publicly on the cover of the July 6, 1916, issue, with the caption "What Are You Doing for Preparedness?", before becoming a famed recruiting poster on American entry into World War I.[9][10] Pioneering aviator Harriet Quimby was a frequent contributor for 10 year, serving as the magazine's aviation editor after she became the first American woman to become a licensed pilot in 1911, after several years of writing for the magazine on a number of different subjects (including serving as the magazine's drama critic). Some of her final writings for the magazine were on the topic of aviation and aviation safety, with her final article appearing in the issue published a week after her death in a flying accident on July 1, 1912.

By 1897, the publication's circulation had grown to an estimated 65,000 copies.[11]

See also

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References

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  1. ^ a b Joshua Brown, "The Great Uprising and Pictorial Order in Gilded Age America", in David O. Stowell (ed.), The Great Strikes of 1877. Urbana, IL: University of Illinois Press, 2008; p. 19.
  2. ^ Brown, The Great Uprising and Pictorial Order in Gilded Age America, pp. 19-20.
  3. ^ a b c d e f g h Joshua Brown, The Great Uprising and Pictorial Order in Gilded Age America, p. 20.
  4. ^ Steele, Phillip W.; Cottrell, Steve (1993). Civil War in the Ozarks. Gretna, Louisiana: Pelican Publishing Company. pp. 74–83. ISBN 0-88289-988-0.
  5. ^ "O'Neill and the Band: The Baxter Springs Massacre Part One". Civil War Wisconsin. Wisconsin Civil War Sesquicentennial Commission. March 30, 2011. Retrieved February 26, 2017.
  6. ^ a b c d e f Brown, The Great Uprising and Pictorial Order in Gilded Age America, p. 21.
  7. ^ Nelson, Randy F. The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc., 1981: 66. ISBN 0-86576-008-X
  8. ^ "Leslie's To Be Monthly" (PDF). The New York Times. Vol. LXX, no. 23, 044. February 26, 1921. p. 6. Retrieved February 27, 2021.
  9. ^ "The Great War: Part 1 - Transcript". American Experience. PBS. July 3, 2018. Retrieved May 7, 2019.
  10. ^ "What are YOU doing for preparedness?". Library of Congress: Prints & Photographs Online Catalog. Library of Congress. Retrieved May 7, 2019.
  11. ^ N. W. Ayer & Son, The American Newspaper Annual (New York, 1897) 1896: Journals of the Campaign).

Further reading

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  • Joshua Brown, "The Great Uprising and Pictorial Order in Gilded Age America," in David O. Stowell (ed.), The Great Strikes of 1877. Urbana, IL: University of Illinois Press, 2008; pp. 15–54.
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