Valerie_Hegarty_FreshStart_2021.jpg (315 × 315 pixels, file size: 169 KB, MIME type: image/jpeg)
Summary
editThis is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. | |
Description |
Installation by Valerie Hegarty, Fresh Start (The Covid Diaries Series) (wood, canvas, paper, glue, wire, tape, epoxy clay, dimensions variable, 2021). The image illustrates a key later body of work in Valerie Hegarty's career in the 2000s when she produced dark, illusionistic reliefs, self-contained sculptures and wall works, and installations. These works often depicted a dystopian vision of cracked, peeled, crumbling or rotting walls from urban subways or boarded up windows, often augmented with and blooming and dying flowers. The pictured installation, in Riverside Park, offered a large, decaying vanitas still-life painting of flowers leaning against a wall behind the bars of an Amtrak maintenance site that burst with a three-dimensional tangle of roots, leaves and blossoms spilling onto the floor. This work was publicly exhibited in prominent exhibitions, discussed in major art journals and daily press publications and commissioned by major art institutions. |
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Source |
Artist Valerie Hegarty. Copyright held by the artist. |
Article | |
Portion used |
Installation view |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key late body of work in Valerie Hegarty's career in the 2020s: her dark, illusionistic reliefs, sculptures and wall works, which critics wrote, found beauty and wonder amid an intimate, dystopian vision of cracked, peeled, crumbling or rotting walls drawn from her surroundings, dying flowers or seemingly mutated, anthropomorphic fruit. These works included more self-contained pieces, both physically and thematically, as well as public and gallery installations. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this later stage and body of work, which brought Hegarty ongoing recognition through exhibitions, commissions and coverage by major critics and publications. Hegarty's work of this type and this series is discussed in the article and by critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Valerie Hegarty, and the work no longer is viewable, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Valerie Hegarty//en.wiki.x.io/wiki/File:Valerie_Hegarty_FreshStart_2021.jpgtrue |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 22:49, 28 August 2022 | 315 × 315 (169 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Valerie Hegarty | Description = Installation by Valerie Hegarty, ''Fresh Start (The Covid Diaries Series)'' (wood, canvas, paper, glue, wire, tape, epoxy clay, dimensions variable, 2021). The image illustrates a key later body of work in Valerie Hegarty's career in the 2000s when she produced dark, illusionistic reliefs, self-contained sculptures and wall works, and installations. These works oft... |
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