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Giovanni Borgia, 2nd Duke of Gandía

(Redirected from Giovanni Borgia (1474–1497))
For the child of mysterious parentage, see Giovanni Borgia (Infans Romanus).

Giovanni Borgia, 2nd Duke of Gandía (Spanish: Juan de Borja; Catalan: Joan de Borja; c. 1476 – 14 June 1497) was the second child of Pope Alexander VI and Vannozza dei Cattanei and a member of the House of Borgia. He was the brother of Cesare, Gioffre, and Lucrezia Borgia. Giovanni Borgia was the pope's favourite son, and Alexander VI granted him important positions and honours. He was murdered in Rome on 14 June 1497. The case remained unsolved and is still considered one of the most notorious scandals of the Borgia era.

Giovanni Borgia
Duke of Gandía
Alleged portrait of Giovanni Borgia
Reign1488–1497
PredecessorPier Luigi Borgia
SuccessorJuan de Borja y Enríquez
Other titlesCaptain General of the Church, Gonfalonier of the Church
Bornc. 1476
Rome
Died14 June 1497(1497-06-14) (aged 20–21)
Rome
BuriedSanta Maria del Popolo, later transferred to the Collegiate Basilica of Gandia
Noble familyBorgia
Spouse(s)María Enríquez de Luna
IssueJuan de Borja y Enríquez, 3rd Duke of Gandía
Isabel de Borja y Enríquez
FatherPope Alexander VI
MotherVannozza dei Cattanei

Early life

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Portrait of Pope Alexander VI

Giovanni Borgia was born in Rome around 1476 to Cardinal Rodrigo Borgia and his mistress, Vannozza dei Cattanei.[1] He was the second son of the couple, after the firstborn Cesare.[2] No exact birth dates are known for him and his brother, and Giovanni was long thought to be the couple's eldest son, but modern research agrees that he must have been younger than Cesare.[3] Cesare and Giovanni were brought up together in a house provided by their father, probably supervised by his confidant, Adriana de Mila. An instrument of 29 January 1483, removed the guardianship of Giovanni from his mother's family and gave it to his older half-brother, Pier Luigi and another relative, Otto Borgia.

Pier Luigi died in September 1488 and by his will, Giovanni succeeded him as the 2nd Duke of Gandía. The duchy was located in the Kingdom of Valencia, the Borgia's ancestral homeland, and it was cobbled together by Rodrigo Borgia in 1485 with the help of his patron, King Ferdinand II of Aragon. A marriage contract was written on 13 December 1488 for Giovanni and María Enríquez de Luna, who had been betrothed to his brother, Pier Luigi. María Enríquez was the first cousin of the King of Aragon. Because the groom was only twelve years old, the wedding was postponed. The situation changed four years later when Cardinal Rodrigo Borgia was elected pope as Alexander VI. A political alliance between the Crown of Aragon and the papacy made the long-planned union more urgent for both sides.

Years in Spain

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Gothic main entrance of the Ducal Palace in Gandía with the Borgia coat-of-arms

In August 1493, Alexander VI sent his seventeen-year-old son to Spain equipped with a large amount of textiles, jewels, silver and portable goods. "He left Rome loaded with loot and was expected to return next year to make more," wrote the ambassador from Mantua, Giovanni Lucido Cattanei.[4] Giovanni Borgia was received with great ceremony by the Catholic Monarchs in the Royal Palace of Barcelona. His wedding to María Enríquez was celebrated at the end of September 1493.

Initially there were rumours, to the great dismay of the pope, that the marriage was not consummated. Alexander VI rebuked his son in a letter dated 30 November 1493, and repeatedly advised him to be a good husband. Eventually, María Enríquez gave birth to two children. Juan de Borja y Enríquez (later the 3rd Duke of Gandía) was born on 10 November 1494. A daughter, Isabel de Borja y Enríquez was born on 15 January 1497, seven months after Giovanni's departure to Rome; she grew up to be abbess of Santa Clara in Gandía with the name Francisca de Jesús.[5]

Giovanni Borgia spent three years in Spain. He kept a sizeable court of 130 noblemen and their entourage although the pope was constantly worried about his reckless spending. In his letters he urged his son to expand his estate. Alexander VI was a keen businessman, and the region around Gandía was a major centre of sugarcane production where buying up the lands of the cash-strapped local nobility was a smart game plan. In this regard, Giovanni, like his brother before, simply acted as his father's manager in the duchy but his acquisitions were limited.[6]

Alexander hoped that his son would receive large estates in the recently conquered Kingdom of Granada and become an important figure at the Spanish court. However, the Catholic Monarchs did not heap any more favours on the duke. Queen Isabella was particularly annoyed that the pope was so focused on the promotion of his children, and refused to provide any assistance in this regard. Still, the pope was relentless in this pursuit: he managed to get the new King of Naples, Alfonso II to grant the fiefdom of Tricarico and the counties of Carinola, Claramonte and Lauria, worth 12,000 ducats a year, to Giovanni on the occasion of his coronation in May 1494. Soon the Italian campaign of Charles VIII of France made these Neapolitan estates unavailable for the Borgias.

The young man was already homesick in 1494, and wrote letters to his father and Cesare to send ships to take him back to Rome. At this point, Giovanni Borgia was effectively a pawn in the hands of the Catholic Monarchs as his presence in Spain guaranteed the alliance between the House of Aragon and the papacy against the French. He wrote to his brother: "Each day seems like a year to me in the delay of those ships which His Holiness has written in recent days he will send soon."[7]

Captain General of the Church

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The Orsini Castle in Bracciano that Giovanni Borgia besieged unsuccessfully in 1496

The Duke of Gandía was finally able to return to Italy 1496 after the French army retreated. He arrived in Rome on 10 August without his pregnant wife and his two-year-old son who remained in Spain. He was received in Rome with great pomp and ceremony. All the cardinals, led by his brother, were waiting for him on the Campus Martius, as well as the ambassadors, the Roman nobles and the officials. On 26 October he was invested in St. Peter's Basilica as Captain General and Gonfalonier of the Church.[8]

The pope had great plans for his favourite son, and entrusted him with the campaign against the powerful Orsini family who controlled a large part of the Roman Campagna and had sided with the French against Alexander VI in the previous years. The twenty-year-old duke was completely inexperienced as a commander, therefore he was joined by a more knowledgeable condottiero, Guidobaldo da Montefeltro. They were initially successful, forcing several Orsini strongholds to surrender while they advanced north from Rome to Lake Bracciano. But the strong castle of Bracciano was able to withstand the siege of the papal forces, and the troops suffered heavily from the harsh winter weather and the rain. Montefeltro was wounded, and the leadership of the campaign devolved mainly to Giovanni. The defendants of the castle insulted him by sending a donkey to his camp with a sign around the animal's neck reading:

Lassatime andar per la mia via, che vado ambasador al ducha di Chandia

Let me pass because I am an ambassador to the Duke of Gandía

— cited by Marino Sanudo

There was even a rude personal message stuck under the animal's tail.[9]

 
The portrait of Vitellozzo Vitelli who defeated the papal army in the Battle of Soriano.

On 24 January 1497, the Borgia army was severely defeated at Soriano when the two captains tried to fight the Orsini relief army led by Vitellozzo Vitelli and Carlo Orsini in the open field. Montefeltro was captured but Giovanni Borgia managed to escape with only minor injuries to his face.[10]

At the Battle of Soriano "the men of the Church succumbed with great dishonor and loss", as Burchard put it in his diary; some five hundred soldiers were killed and many more were wounded, the Orsini captured all the cannons and scattered the papal forces. They quickly advanced to the walls of Rome and recaptured their lost strongholds. The pope now had no choice but to sign a peace treaty with his enemies in February 1497.

Giovanni's next military endeavour was more successful: he took part in the recapture of Ostia which was still held by forces loyal to the French. The campaign was led by Gonzalo Fernández de Córdoba, an experienced Spanish general, and ended quickly with the surrender of the garrison on 9 March 1497. A few days later Córdoba held a victory parade in Rome, where he was accompanied by the Duke of Gandía and his brother-in-law, Giovanni Sforza. But Córdoba seems to have resented the favouritism shown towards the duke because on 19 March he refused to accept a blessed palm branch during the celebration of Palm Sunday in the chapel of the Apostolic Palace after Giovanni Borgia had received one. It was a surprising rebuke from an important ally of the Borgias.

Despite losing the war against the Orsini, the pope still tried to carve out a principality in Italy for his son. For this, he marked out territories that had belonged to the Patrimony of Saint Peter for centuries. On 7 June a secret consistory was held, in which the Duchy of Benevento and the cities of Terracina and Pontecorvo were granted to the Duke of Gandía and his legitimate descendants. Out of the cardinals present, only Francesco Todeschini Piccolomini raised his voice against the alienation of the lands of the papacy.[11] Jerónimo Zurita claimed that the Spanish ambassador also objected and warned the pope that his plan was unacceptable.[12]

Murder

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The Square of the Jews on the map of Rome by Étienne Dupérac (1577)

Giovanni Borgia was murdered on the night of 14 June 1497 in Rome. According to Burchard he was last seen alive when he left the home of his mother, Donna Vannozza who lived near the Church of San Pietro in Vincoli. After the dinner, his brother, Cesare urged him to return to the Papal Palace but as they approached the Palace of Cardinal Ascanio Sforza, the duke told his brother that he was going to find entertainment somewhere, and dismissed his retinue. He took only his valet and a masked man whose identity was unknown but who had been visiting Giovanni several times in the month before his death. The duke rode to the Square of the Jews where he ordered the servant to wait for him until eight o'clock, and if he had not appeared until then, return to the palace. Then he rode off with the masked man behind him on the back of his mule.

When the duke did not return to the palace on the next morning, which was Thursday, 15th of June, his trusted servants became uneasy and one of them carried to the Pope the news of the late expedition of the duke and Cesare and the vain watch for the return of the former. The Pope was much disturbed by the news, but tried to persuade himself that the duke was enjoying himself somewhere with a girl and was embarrassed for that reason at leaving her house in broad daylight, and he clung to the hope that he might return at any rate in the evening. When this hope was not fulfilled, the Pope was stricken with deadly terror.[13]

In a letter to his brother Cardinal Ascanio Sforza gave a different location for the murder: "The Duke was last seen that night close to the cross in the street leading to Santa Maria del Popolo; it is thought that the crime was committed somewhere near this cross, because both horsemen and others on foot were seen there."[14]

Alexander VI ordered that all the houses on the banks of the Tiber should be thoroughly searched including the Palace of Ascanio Sforza. The cardinal fully supported this action but nothing was found. His private correspondence also indicated that his conscience was clear.

Later a witness, a Slavonian timber dealer named Georgio made a statement that led to the discovery of Giovanni's body. He had been lying in his boat on the Tiber on the night of the murder to guard his wood and watched as five men had thrown a corpse into the river next to the fountain at the Hospital of Saint Jerome, where refuse was usually disposed of.

 
The banks of the Tiber in Rome with barges by Willem van Nieulandt (c. 1602-05)

At about two o'clock in the morning two men came out of a lane by the hospital on to the public road along the river. They looked about cautiously to see whether any one was passing and when they did not see anybody they disappeared again in the lane. After a little while two others came out of the lane, looked about in the same way and made a sign to their companions when they discovered nobody. Thereupon a rider appeared on a white horse who had a corpse behind him with the head and arms hanging down on one side and the legs on the other and supported on both sides by the two men who had first appeared. The procession advanced to the place where the refuse is thrown into the river. At the bank they came to a halt and turned the horse with its tail to the river. Then they lifted the corpse, one holding it by its hands and arms, the other by the legs and feet, dragged it down from the horse and cast it with all their strength into the river. To the question of the rider if it was safely in, they answered, 'Yes, Sir!' Then the rider cast another look at the river and, seeing the cloak of the corpse floating on the water, asked his companions what that black thing was floating there. They answered, 'the cloak,' whereupon he threw stones at the garment to make it sink to the bottom. Then all five, including the other two who had kept watch and now rejoined the rider and his two companions, departed and took their way together through another lane that leads to the Hospital of St. James.[15]

When asked why he had not reported the murder the witness replied: "In my day I have seen as many as a hundred corpses thrown into the river at that place on different nights without anybody troubling himself about it, and so I attached no further importance to the circumstance".[16]

Fishermen and boatmen were summoned to drag the river; on 16 June, Giovanni's body was recovered from the Tiber.

It was just before vespers when they found the duke still fully clad, with his stockings, shoes, waistcoat and cloak, and in his belt there was his purse with thirty ducats. He had nine wounds, one in the neck through the throat, the other eight in the head, body and legs.[17]

Giovanni Borgia's only attendant, the servant who was left behind waiting, was also slain, so there were no known witnesses.

Aftermath

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After the murder, the grief-stricken pope locked himself in his chambers and wept bitterly for hours. He did not eat and sleep until the next Sunday. He first appeared in public at a consistory on 19 June in front of all the cardinals staying in Rome who offered their condolences to him individually. Alexander lamented the loss of his son with deeply moving words:

The Duke of Gandía is dead. A greater calamity could not have befallen us, for we bore him unbounded affection. Life has lost its interest for us. Indeed, had we seven papacies, we would give them all to recall the Duke to life. It must be that God thus punishes us for our sins, for the Duke had done nothing to deserve so terrible a fate.[18]

 
The Church of Santa Maria del Popolo where Giovanni Borgia was buried in 1497 (engraving by Israël Sylvestre).

The pope felt such a heavy sense of guilt (or was so appalled by the state of affairs under his rule that this murder made conspicuous) that he decided to reform the Church. "Meanwhile we are resolved without delay to think of the Church first and foremost, and not of ourselves nor of our privileges. We must begin by reforming ourselves," he declared. For this aim he created a commission consisting six cardinals. But his determination was short-lived, and in the end he ignored the report of the Reform Commission.

The corpse of the duke was first brought to Castel Sant'Angelo, then on the same evening, it was transferred to the Basilica of Santa Maria del Popolo, the favourite church of the Borgias, preceded by 120 torchbearers and many prelates and servants. It was laid upon a bier with great pomp and ceremony, and later he was buried in the vault.[19] His brother, Pier Luigi, the first Duke of Gandía had been buried in the same church in 1488.[20]

During the reign of Pope Julius II the widowed Duchess of Gandía, María Enríquez de Luna asked permission to have the remains of both Pier Luigi and Giovanni transferred from Rome to Gandía. The pope ordered the Augustinians of Santa Maria del Popolo, under pain of excommunication, to allow the exhumations.[21] The tombs of the brothers in the Collegiate Basilica of Gandia did not survive.

Suspects

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Cardinal Ascanio Sforza was one of the main suspects at the time of the murder but the pope dismissed the charge

Giovanni Borgia's killers were never identified. In his speech at the consistory of 19 June, Pope Alexander VI explicitly exonerated some of the suspects.

It is not known at whose hands he met his death. It has been stated that the Lord of Pesaro devised it, which we do not believe, or the Prince of Squillace, his brother, which is utterly false. We are certain, too, that the Duke of Urbino had no hand in it. God forgive the guilty, whoever he was.[22]

First, the pope ordered an investigation and the authorities began to search for the culprits. But this was soon abandoned, and Alexander VI made no further attempt, at least openly, to find the instigators of the crime. It was presumed at the time that he was aware of their identity but saw no realistic chance to punish them immediately. "This morning I was told by a trustworthy person that at this time His Beatitude has very close news of the truth, but he will pretend otherwise to surprise the authors in their sleep, as they are very important people and of high status", the Florentine envoy, Alessandro Braccio reported on 23 June.[23]

In the end, the murder was never avenged, which contributed to the spread of the wildest rumours. Eventually the unsolved case became part of the black legend of the Borgia, and regarded as one of the most mysterious crimes in history.


Persons exonerated by the pope:

  • Ascanio Sforza, Vice-Chancellor of the Holy Roman Church was one of the prime suspects in the period following the murder. At the time the relations between the Sforzas and the pope were tense. The cardinal tried to mediate in the conflict between his cousin, Giovanni Sforza and the Borgias, and immediately before the murder his valet called the Duke of Gandia a bastard during a quarrel and the man was subsequently killed.[24] According to Burchard, the Duke of Gandia took leave of his brother, Cesare near the vice-chancellor's palace on the fateful evening. Ascanio Sforza did not attend the consistory of 19 June. The Spanish ambassador, Garcilaso de la Vega apologised for his absence by saying that he was worried about the rumours accusing him of being behind the murder. Pope Alexander VI immediately absolved him from the charge: "God forbid that I should suspect him, for I hold him as a brother."[25] In the letter to his brother on 20 June, Ascanio Sforza admitted that his people were suspected: "It is said that some of my people may have done it on account of the recent quarrel with the Duke". In the following months, relations between the cardinal and the pope fluctuated, meetings were held, but suspicion reared its head again among the Spaniards in Rome, and during the summer Sforza saw fit to spend more time away from the city.
  • Giovanni Sforza, the Lord of Pesaro was a condottiero and the husband of Lucrezia Borgia. The marriage was no longer useful for the Borgias politically and Sforza was fearing for his life; he fled Rome in disguise in March 1497. In the following months Pope Alexander VI tried to annul the marriage but Sforza refused the humiliation imposed on him.[26] At first, his brother, Galeazzo was also among the suspects although he had not even left Pesaro.
  • Gioffre Borgia, the Prince of Squillace was the younger brother of Cesare and Giovanni Borgia. His wife, Sancia allegedly had affairs with both of her husband's older brothers. It was rumored that Gioffre had killed his brother out of jealousy, but the pope apparently considered this utter nonsense.[27]
  • Guidobaldo da Montefeltro, the Duke of Urbino was a condottiero who led the papal troops against the Orsini together with Giovanni Borgia in 1496. Montefeltro was captured at the Battle of Soriano, but the pope refused to pay his ransom, and he had to arrange his release at his own expense. This gave him enough reason to resent Giovanni Borgia's undeserved success, yet the Pope was sure that he had not instigated the murder.
 
Miracle of Our Lady of the Rosary and the Knight of Cologne attributed to Miguel Esteve. Allegedly the painting was commissioned by Giovanni Borgia's widow, and shows his murder by Cesare, his brother.


The main suspects:

  • The most likely culprits were the Orsinis revenging the death of Virginio Orsini at the beginning of the year in a Neapolitan prison. The ancient Roman family was hostile to the Borgias, and they had fought a war against Alexander VI. They defeated the Duke of Gandía on the battlefield, but the pope's plan to carve out a principality in Italy for his son still posed a threat to the family's fortune. This fear may have motivated other great Roman families because Alexander VI's persistent efforts to promote his son made Giovanni Borgia the primary target of hostility against his family.
  • Suspicions later centred on Giovanni's brother, Cesare Borgia.[28][29] A personal rivalry existed between them and, with Giovanni's death, Cesare was allowed to leave the Church as he wished, taking his dead brother's place as a man-at-arms. Giovanni's wife was also convinced of Cesare's guilt and tried, in vain, to have her brother-in-law tried. One salient fact is that the Pope despite his immense grief over Giovanni's death closed the investigation after a week indicating that Alexander knew or suspected the killer was a member of his own family.
  • Antonio Maria della Mirandola, the father of a young girl, whose house was located near the Tiber. Shortly before his death, Giovanni mentioned that he dishonoured the daughter of one of the representatives of the ancient Roman family.

Character

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Letter from Alexander VI to his son rebuking him for the many expenses, giving him instructions and informing him of the problems with France (29 May 1494, Rome)

Giovanni was the pope's favourite son, and had great influence on his father. "In dealings with His Holiness you could have no better intercessor than His Lordship, because he is the eye of His Holiness Our Lord", wrote about him Carlo Canale, Vannozza's third husband in a letter on 18 March 1493.

The Duke of Gandía was a handsome young man, often characterized as vain and arrogant. He dressed fashionably and ostentatiously. At his sister's wedding to Giovanni Sforza in June 1493 he wore a long Turkish-style cloth-of-gold robe, called turcha, its sleeves embroidered with large pearls, and expensive jewels including a chain of balas rubies and pearls. The dazzling attire was estimated to be worth 150,000 ducats.[30]

Although Giovanni was born in Italy from an Italian mother, the Borgias used the Valencian variety of the Catalan language among themselves as letters between him and his family members show. These letters give an insight into his personal relationships and character during the time when he lived in Spain. At first the young duke apparently became unhinged in this foreign environment, and his behavior caused scandal. Directed by the pope, Cesare wrote a strongly worded letter to his younger brother:

No matter how much joy and happiness I felt for my promotion to the cardinalate, although it was great, my anger was still greater when I heard of the bad reports that His Holiness Our Lord had received of you and your bad behaviour; because they have informed His Beatitude that you had been going around Barcelona at night killing dogs and cats, often visiting the brothel, gambling much money, speaking improperly and imprudently to important people, not obeying Don Enrique and Doña María [his father and mother-in-law] and finally acting in a way truly unworthy of a gentleman of your position.[31]

After taking possession of the Duchy of Gandía on 4 December 1493, Giovanni tried to placate his furious father, and diligently completed the tasks assigned to him, including the procurement of floor tiles for the Borgia Apartments of the Apostolic Palace and the restoration of Castel Sant'Angelo. He was on friendly terms with his brother-in-law, Giovanni Sforza, and wrote an endearing letter to his sister, Lucrezia asking for more frequent communication citing his pregnant wife who "complains a great deal of you, that you have never written despite all the letters sent to you from here".

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Disputation of St. Catherine by Pinturicchio in the Borgia Apartments in the Vatican. The mounted male figure in a fashionable Turkish robe on the far right may be a depiction of Giovanni Borgia.[1]

The murder occasioned the witty and cruel epigram by the contemporary Neapolitan poet and humanist, Jacopo Sannazaro on Pope Alexander VI.[32] The poem plays with the apostolic title of the pope as fisher of men alluding to the scandal when his son's body was dragged from the river:

Piscatorem hominum ne te non Sexte putemus / Piscaris natum retibus ecce tuum

Lest we do not think you are not a fisher of men, Sixth, you fish for your own son with nets

— Jacopo Sannazaro, Epigrammata

In most adaptations, Giovanni is referred to by his Spanish name, Juan. In Alexandre Dumas' Celebrated Crimes (1839), he is referred to as Francesco.[33]

In Mario Puzo's historical novel The Family, Giovanni Borgia's murder by his younger brother Geoffre is central to the drama and plot of the story.

In the 2010 animated short film, Assassin's Creed: Ascendance, a fictionalised version of Juan's death is depicted at the hand of Cesare Borgia, who hires a prostitute to murder him.

In the 2011 Showtime series, The Borgias, Juan is played by David Oakes and is killed by Cesare in the second season of the series, in "World of Wonders". In the 2011 French/German series, Borgia, Juan is played by French actor Stanley Weber. He is a main character in the first season and dies in that season's finale "The Serpent Rises". In this adaptation, he is the eldest child of Rodrigo and Vannozza, and his murder is perpetrated primarily by Lucrezia—with the help of her lover, Pedro Caldes. Both portrayals depict Juan as haughty, selfish, and cruel, with few redeeming features.

The CBBC television show Horrible Histories features a song portraying the Borgia family, with Ben Willbond as Giovanni Borgia.

See also

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Notes

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  1. ^ a b Maxwell-Stuart, P.G.: Chronicle of the Popes. London, Thames and Hudson, 1997, page 158–159, ISBN 0-500-01798-0
  2. ^ William Harrison Woodward: Cesare Borgia: A Biography. London, Chapman and Hall, 1913, p. 26;
  3. ^ Evidence of this is provided by the tombstone of Vanozza dei Cattanei, rediscovered in 1947, in which Giovanni is named as the second-born, and a papal bull from 1493, in which Cesare is described as the elder.
  4. ^ Cited by Alessandro Luzio: Isabella d'Este e i Borgia. Archivio Storico Lombardo : Giornale della società storica lombarda (1914 set, Serie 5, Fascicolo 3), p. 481
  5. ^ María Enríquez de Luna, Diccionario Biográfico de la Real Academia de la Historia [1]
  6. ^ Santiago La Parra López: El nacimiento de un señorio singular: el ducado gandiense de los Borja, Revista de Historia Moderna Nº 24, 2006, pp. 31-66
  7. ^ Cited by José Sanchis y Sivera: Algunos documentos y cartas privadas que pertenecieron al segundo duque de Gandía, don Juan de Borja. Valencia, Imp. La Voz Valenciana, 1919. p. 111
  8. ^ Joachim Brambach: Die Borgia: Faszination einer machtbesessenen Renaissance-Familie. Callwey, München 1988, p. 131.
  9. ^ The anecdote was recorded by Marino Sanudo in his Diaries, see I diarii di Marino Sanuto, Venice, F. Visentini, 1879, Vol. 1, p. 410
  10. ^ Bernardino Baldi: Delle vita e de'fatti di Guidobaldo I. da Montefeltro, Duca d'Urbino. Milan, Giovanni Silvestri, 1821, Vol. 1, 5th Book
  11. ^ Ludwig Freiherr von Pastor: The History of the Popes, Vol. 5, 1898, B. Herder, St. Louis, p. 493
  12. ^ Jerónimo Zurita: Historia del rey don Hernando el Catholico, Zaragoza, 1580, p. 124
  13. ^ Johannes Burchardus Diary pp. 88-90
  14. ^ The letter was cited by Pastor: The History of the Popes, op. cit., p. 498
  15. ^ Johannes Burchardus Diary pp. 90-91
  16. ^ Johannes Burchardus Diary p. 91
  17. ^ Johannes Burchardus Diary p. 92
  18. ^ Cited by the Venetian orator (ambassador), Nicolo Michiel. The original text of the speech can be found in Alois Knöpfler: Der Tod des Herzogs von Gandia, Theologische Quartalschrift, Tübingen, 1877, pp. 451-52; English translation by Woodward.
  19. ^ Johannes Burchardus Diary p. 92
  20. ^ Katherine Walsh: Päpstliche Kurie und Reformideologie am Beispiel von Santa Maria del Popolo in Rom, Archivum Historiae Pontificiae Vol. 20 (1982), p. 153
  21. ^ Clemente Fusero: The Borgias (translated by Peter Green), Praeger Publishers, 1972, p. 304; the motu proprio of Julius II was published by Mario Menotti: Documenti inediti sulla famiglia e la corte di Alessandro VI, 1917, document no. 25
  22. ^ Cited by Michel, translation by Woodward, op. cit.
  23. ^ The letter is cited by Louis Thuasne in Johannis Burchardi Diarium, Paris, Ernest Leroux, 1884, Vol. 2., p. 672
  24. ^ As reported by Sanudo, op. cit. p. 843
  25. ^ Mandell Creighton: A History of the Papacy During the Period of the Reformation, Vol. III: The Italian Princes. 1464-1518, London, Longmans, Green, and Co., 1887, p. 257
  26. ^ Sarah Bradford: Life, Love and Death in Renaissance Italy, Viking, 2004, pp. 56-58
  27. ^ The pope was obviously addressing a rumour; Sanudo also reported that "for many months past the lady Sancia has given herself to the Cardinal of Valencia" (op. cit. p. 792).
  28. ^ Christopher Hibbert: The Borgias and Their Enemies. Harcourt, Inc. 2008, p. 30
  29. ^ Sarah Bradford: Cesare Borgia: His Life and Times. London, 1976, p. 17
  30. ^ Described in a letter by Pietro Gentile da Varano to Francesco II Gonzaga, the Marquis of Mantua on 18 June 1493, in: Regesto dei documenti di Giulia Farnese, ed. Danilo Romei and Patrizia Rosini, Lulu, 2012, p. 44
  31. ^ Sent by Cesare Borgia to his brother in September 1493, published in Miguel Batllori: La familia de los Borjas, Real Academia de la Historia, Madrid, 1999, p. 176
  32. ^ Iacobi Sannazarii opera omnia, Seb. Gryphium, Lugdunum, 1536, p. 159
  33. ^ Dumas, Alexandre (1839). Celebrated Crimes. Vol. 1 (1910 English ed.). New York: P. F. Collier. p. 48. Retrieved 15 May 2017.
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Preceded by Duke of Gandía
1491 - 1497 		Succeeded by
Juan de Borja y Enríquez de Luna
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