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Summary
Robert H. Vance: [The Great Man Has Fallen] ( ) | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q41096345 |
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Title |
[The Great Man Has Fallen] |
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Object type |
photograph object_type QS:P31,Q125191 |
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Description |
Smiley, Yerkes & Company, auctioneers and commission merchants, with a banner "The Great Man Has Fallen." It was located at the corner of Sacramento and Sansome Streets, just one block from Vance's Sacramento and Montgomery Street studio. Note: This whole plate daguerreotype is a fascinating document of frontier history. It memorializes the cruel death of James King of William, the editor of the San Francisco "Evening Bulletin," and the public lynching of his murderer, James P. Casey. On the evening of May 14, 1856, King of William (he had legally added "of William" to distinguish himself from other James Kings), a muckraking journalist who fought local vice and corruption, was shot outside his office by Casey, a local politician and rival editor of the "Sunday Times." In that day's editorial King of William had accused Casey of election fraud and of being an ex-convict who had served time in New York at Sing Sing for robbing his mistress. The city rose up in arms, and several days later, when King of William died, a mob of vigilantes removed Casey from the sheriff's office and lynched him from gallows erected on an abandoned liquor warehouse. The photograph thus documents the success of the city's second Committee of Vigilance (the first dated to 1851). In the early years of westward expansion it was customary for reputable men to organize vigilance committees to aid in the suppression of crime. Lynching was the typical penalty for transgressions that called for the most extreme form of punishment. In both 1851 and 1856, periods of wild disorder in San Francisco were ultimately terminated by the action of such groups. Smiley, Yerkes & Company, auctioneers and commission merchants, was located at the corner of Sacramento and Sansome Streets, just one block from Vance's Sacramento and Montgomery Street studio. T. J. L. Smiley was a charter member of the 1851 Committee of Vigilance (The MET). |
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Date |
1856 date QS:P571,+1856-00-00T00:00:00Z/9 |
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Medium | Daguerreotype | |||||||||||||||||||||||
Dimensions | Image: 13.5 x 18.8 cm (5 5/16 x 7 3/8 in.) | |||||||||||||||||||||||
Collection |
institution QS:P195,Q160236 |
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Current location |
Photographs |
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Accession number |
2005.100.83 |
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Credit line | Gilman Collection, Gift of The Howard Gilman Foundation, 2005 | |||||||||||||||||||||||
Source/Photographer |
https://www.metmuseum.org/art/collection/search/283183
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Permission (Reusing this file) |
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Items portrayed in this file
depicts
image/jpeg
24764bd9eb004e91509331353221de99adbe8cf0
3,156,705 byte
2,793 pixel
3,524 pixel
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:04, 29 June 2017 | 3,524 × 2,793 (3.01 MB) | Pharos | GWToolset: Creating mediafile for Pharos. (join the Met Challenge!) |
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Metadata
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Author | The Metropolitan Museum of Art |
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Image title | |
Copyright holder | |
Short title |
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Source | Digital Image: The Metropolitan Museum of Art, New York; http://www.metmuseum.org/information/terms-and-conditions |
Online copyright statement | http://www.metmuseum.org/information/terms-and-conditions |
Credit/Provider | The Metropolitan Museum of Art |
Lens used | HC 120 |
Serial number of camera | DP40016052 |
Contact information |
1000 Fifth Avenue New York, New York, 10028 |
Date and time of digitizing | 16:00, 19 September 2014 |
Date metadata was last modified | 09:46, 19 November 2014 |
File change date and time | 12:05, 12 November 2014 |
Unique ID of original document | xmp.did:CB2E59F286256811B4D2E14EF5545D5A |
Copyright status | Copyright status not set |
IIM version | 2 |