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Eugène Fromentin

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Eugène Fromentin (French pronunciation: [øʒɛn fʁɔmɑ̃tɛ̃]; 24 October 1820 – 27 August 1876) was a French painter[1] and writer.[2]

Eugène Fromentin
Born(1820-10-24)24 October 1820
La Rochelle, France
Died27 August 1876(1876-08-27) (aged 55)
La Rochelle, France
NationalityFrench
EducationLouis Cabat
Known forPainter, Novelist, Travel literature, Art critic
MovementOrientalist
Signature

Life and career

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He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. His first great success was produced at the Salon of 1847, by the Gorges de la Chiffa. In 1849, he was awarded a medal of the second class.[3]

In 1852, he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge.[3]

His books include Les Maîtres d'autrefois ("The Masters of Past Time", 1876),[4] an influential appreciation of Early Netherlandish painting and the Northern Baroque of the Old Masters of Belgium and Holland, Dominique and A Summer in the Sahara. In Les Maîtres d'autrefois he deals with the complexity of paintings by Rubens, Rembrandt and others, their style and the artists' emotions at the time of creating their masterpieces. He is also one of the first "art critics" to approach the subject of The Old Masters from a personal point of view – being a painter himself. He also puts the work in a social, political and economic context, as the Dutch Golden Age painting develops shortly after Holland won its independence. Bernhard Berenson wrote of the book, "I carry Fromentin with me, and read him each evening about the pictures I have seen that he criticizes. He is the only writer on pictures worth his salt, but I do not always agree with him."[5]

Fromentin, who maintained that "art is the expression of the invisible by means of the visible," was much influenced in style by Eugène Delacroix. His works are distinguished by striking composition, great dexterity of handling and brilliancy of colour. In them is given with great truth and refinement the unconscious grandeur of barbarian and animal attitudes and gestures. His later works, however, show signs of an exhausted vein and of an exhausted spirit, accompanied or caused by physical enfeeblement.[3]

But it must be observed that Fromentin's paintings show only one side of a genius that was perhaps even more felicitously expressed in literature, though with less profusion. Dominique, first published in the Revue des deux mondes in 1862, and dedicated to George Sand, is remarkable among the fiction of the century for delicate and imaginative observation and for emotional earnestness.[3]

Fromentin's other literary works include Visites artistiques (1852); Simples Pèlerinages (1856); Un été dans le Sahara (1857); Une année dans le Sahel (1858). In 1876 he was an unsuccessful candidate for the Academy. He died suddenly at La Rochelle on 27 August 1876.[3]

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  • Selection of works
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    Arabian Encampment, 1848
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    North African Landscape, 1847 ~ 1848
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    Boerenerf met vee [Farmyard with livestock], 1849
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    Arabs Watering Their Horses, ca. 1850
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    Arab woman, 1852
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    Enterrement maure [Moorish burial], 1853
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    La rue Bab-el-Gharbi, à El-Aghouat, 1859[6][7]
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    Kabyle Shepherd, 1861
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    Cavaliers arabes ou la rencontre [Arab Horsemen or the Encounter], 1862
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    Windstorm on the Esparto Plains of the Sahara, 1864
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    Coup de vent sur les plaines d'alfa [Gust of Wind on the Plains of Alfa], 1864
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    Hunting Heron, Algeria, 1865
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    An Encampment in the Atlas Mountains, 1865
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    Standard Bearer, 1860 ~ 1865
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    Arabs on the Way to the Pastures of the Tell, 1866
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    Before the Race – Fantasia or The Halt in the Desert, 1867
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    L'Incendie [The Fire], 1867
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    Centaures, 1868
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    Halte de cavaliers arabes dans la forêt [Arab Horsemen Resting in the Forest], 1868
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    Crossing the Ford, Algeria, 1869
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    Une Fantasia [A Fantasy] – Algeria, 1869
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    Les tombeaux des Califes au Caire [The Tombs of the Caliphs in Cairo], ca. 1870
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    Nil çayı (Turkish) [Nile Tea], 1870
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    Arabs, 1871
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    On the Nile, Near Philae, 1871
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    Orientals [Egyptian Females], 1872
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    Campement dans le Sahara [Campsite in the Sahara], 1872
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    The Banks of the Nile, 1874
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    Un ravin : souvenir d’Algérie [A Ravine: Souvenir of Algeria], 1875
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    Cavalier peint en Algérie [Painted Rider in Algeria], 1875
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    La caravane (scène de la vie nomade des Larbaâ Laghouat) [The Caravan (Scene From the Nomadic Life of the Larbaâ Laghouat)], 1875
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    At the Well, 1875
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    Un Souvenir d'Esneh [A memory of Esneh], 1876
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    Le Simoun [The Simoun], 1876
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    Horses Watering in a River, undated
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    Bedouins Watering Their Horses, undated
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    Moroccan Horsemen at the Foot of the Chiffra Cliffs, undated
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    Head of an Old Woman, undated
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    The Boar Hunt, undated
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    Départ pour la chasse [Departure for the hunt], undated
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    On the Nile, undated
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    Arab Skirmish, undated
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    Le repos des chameaux [The Camels Rest], undated

See also

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Bibliography

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Notes

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  1. ^ Fromentin, 1877.
  2. ^ Speake, 2003, pp. 471–472.
  3. ^ a b c d e Chisholm, Vol. 11, 1911, pp. 246–247.
  4. ^ Fromentin, 1913.
  5. ^ Berenson & Gardner, 1887–1924, p. 19.
  6. ^ Du Camp, 1859, p. 120.
  7. ^ Gazette des beaux-arts, April–May–June 1859, pp. 292–294.

Inline references

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  • Berenson, Bernard (1865–1959); Gardner, Isabella Stewart (1840–1924) (1987). Hadley, Rollin Van Nostrand, Jr. (1927–1992) (ed.). Letter dated March 18, 1888, in → The Letters of Bernard Berenson and Isabella Stewart Gardner, 1887–1924. Boston: Northeastern University Press. p. 19 – via ISSUU.{{cite book}}: CS1 maint: multiple names: editors list (link) CS1 maint: numeric names: authors list (link)   LCCN 86-12554; ISBN 0-9303-5089-8, 978-0-9303-5089-5; OCLC 13642807 (all editions), 875477150.
      See Encyclopædia Britannica, 11th ed. (1910–1911).
    1. Via Google Books (Michigan).  
    3. Via Google Books (Iowa).  
    5. Via Google Books (Penn State).  
    7. Via Google Books (Hoover Institution).  
    1. Via BnF (Gallica). 1859.  
    2. Via HathiTrust (Princeton).  
    3. Via Google Books (Lyon Public Library).  
    1. Via HathiTrust (Cal Berkeley). hdl:2027/uc1.31822011354644.  
    3. Via Google Books (UC Berkeley).  
      See Gazette des Beaux-Arts
    1. Via BnF (full document). April 1859. Gallica.  
    2. Via HathiTrust (full document). UC Boulder.  
    3. Via Google Books (UC Boulder).  
    4. Via Google Books (Indiana University).  

General references: works by Eugène Fromentin in English translation

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General references: writings about Fromentin in English

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  • Bales, Richard. Persuasion in the French Personal Novel: Studies of Chateaubriand, Constant, Balzac, Nerval, and Fromentin, Birmingham, AL: Summa Publications, 1997.
  • Beaume, Georges. Fromentin, translated from the French by Frederic Taber Cooper, New York: Stokes, 1913.
  • Christin, Anne-Marie, and Berrong, Richard M. "Space and Convention in Eugène Fromentin: The Algerian Experience", New Literary History, vol. 15, no. 3, Spring, 1984, pp. 559-574.
  • Evans, Arthur R., Jr.. The Literary Art of Eugène Fromentin: A Study in Style and Motif, Baltimore: The Johns Hopkins Press, 1966.
  • "Eugene Fromentin", The Art Amateur, vol. 12, no. 1, Dec., 1884, p. 9.
  • "Fromentin, Eugène", Benezit Dictionary of Artists, published online 31 October 2011.
  • Gill, Hélène. "Eugene Fromentin and the Experience of the Desert: Self-quest in the Other's Territory," Chapter 3 in The Language of French Orientalist Painting, Lewiston, NY: Edwin Mellen Press, 2003.
  • Gillet, Louis. "Eugène Fromentin" in The Catholic Encyclopedia, New York: Robert Appleton Company, 1909.
  • Gonse, Louis. Eugène Fromentin, Painter and Writer, translated by Mary Caroline Robbins, Boston: James R. Osgood and Co., 1888.
  • Harris, Frank. "Eugéne Fromentin: The Painter-Writer", Chapter XIV in Latest Contemporary Portraits, New York: The Macaulay Company, 1927.
  • Hartman, Elwood. Three Nineteenth-Century French Writer/Artists and the Maghreb: The Literary and Artistic Depictions of North Africa by Théophile Gautier, Eugène Fromentin, and Pierre Loti, Tübingen: Gunter Narr Verlag, 1994.
  • Kaplan, Judith. "Eugéne Fromentin (1820-1876)" in Orientalist Writers, edited by Coeli Fitzpatrick and Dwayne A. Tunstall, Detroit : Gale Cengage Learning, 2012.
  • Magill, Frank N., editor. "Dominique by Eugéne Fromentin" in Masterplots: 2010 Plot Stories & Essay Reviews from the World's Fine Literature, Revised Edition, volume 3, Englewood Cliffs, NJ: Salem Press, 1976.
  • Mickel, Emanuel J. Eugène Fromentin, Twayne's World Authors Series 640, Boston: G.K. Hall & Co., 1981.
  • Schapiro, Meyer. "Eugene Fromentin as Critic" in Theory and Philosophy of Art: Style, Artist and Society, Selected Papers, New York: George Braziller, 1994.
  • Thompson, James P. W. "Fromentin, Eugène(-Samuel-Auguste)", Grove Art Online, published online 2003.
  • Wright, Barbara. "Eugène Fromentin's 'Portrait de Jeune Femme' and the Possible Identification of Its Sources", The Burlington Magazine, vol. 116, no. 854, May, 1974, pp. 274–275.
  • Wright, Barbara. "A drawing for 'Hodna': an early painting by Eugène Fromentin," The Burlington Magazine, vol. 155, no. 1322, May, 2013, pp. 324-325.
  • Wright, Barbara. Eugène Fromentin: A Life in Art and Letters, Peter Lang, 2000.
  • Wright, Barbara. "Eugène Fromentin (1820-76)" in Key Writers on Art, volume I, edited by Chris Murray, New York: Routledge, 2003.
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