Ariel (poetry collection)

For the science fiction novel, see Ariel (novel).

Ariel was the second book of Sylvia Plath's poetry to be published. It was first released in 1965, two years after her death by suicide. The poems of Ariel, with their free-flowing images and characteristically menacing psychic landscapes, marked a dramatic turn from Plath's earlier Colossus poems.

Ariel

First edition cover
Author	Sylvia Plath
Genre	Poetry
Publisher	Faber and Faber
Publication date	1965
Publication place	United Kingdom

The work's editor, Ted Hughes, made substantial changes to Plath's intended plan for the collection by changing her ordering of the poems, dropping some pieces, and adding others. The first American edition was published in 1966 and included an introduction by the poet Robert Lowell. This was appropriate, since, in a BBC interview, Plath cited Lowell's book Life Studies as having had a profound influence over the poetry she was writing in this last phase of her writing career. In the same interview, Plath also cited the poet Anne Sexton as an important influence on her writing during this time since Sexton was also exploring some of the same dark, taboo, personal subject matter that Plath was exploring in her writing.

In 2004, a new edition of Ariel was published which for the first time restored the selection and arrangement of the poems as Plath had left them; the 2004 edition also features a foreword by Frieda Hughes, who is the daughter of Plath and Ted Hughes.

Contents (1965 version)

Poems marked with an * were not in Plath's original manuscript, but were added by Ted Hughes. Most of them date from the last few weeks of Plath's life.

1. "Morning Song"
2. "The Couriers"
3. "Sheep in Fog" *
4. "The Applicant"
5. "Lady Lazarus"
6. "Tulips"
7. "Cut"
8. "Elm"
9. "The Night Dances"
10. "Poppies in October"
11. "Berck-Plage"
12. "Ariel"
13. "Death & Co."
14. "Lesbos" (censored in some publications, not included in UK version)
15. "Nick and the Candlestick"
16. "Gulliver"
17. "Getting There"
18. "Medusa"
19. "The Moon and the Yew Tree"
20. "A Birthday Present"
21. "Mary's Song" * (only in US version)
22. "Letter in November"
23. "The Rival"
24. "Daddy"
25. "You're"
26. "Fever 103°"
27. "The Bee Meeting"
28. "The Arrival of the Bee Box"
29. "Stings"
30. "The Swarm" * (only in US version)
31. "Wintering"
32. "The Hanging Man" *
33. "Little Fugue" *
34. "Years" *
35. "The Munich Mannequins" *
36. "Totem" *
37. "Paralytic" *
38. "Balloons" *
39. "Poppies in July" *
40. "Kindness" *
41. "Contusion" *
42. "Edge" *
43. "Words" *

Contents (Manuscript version / Restored 2004 version)

Poems marked with an ** were included in Plath's original manuscript, but were removed by Ted Hughes.

1. "Morning Song"
2. "The Couriers"
3. "The Rabbit Catcher" **
4. "Thalidomide" **
5. "The Applicant"
6. "Barren Woman" **
7. "Lady Lazarus"
8. "Tulips"
9. "A Secret" **
10. "The Jailor" **
11. "Cut"
12. "Elm"
13. "The Night Dances"
14. "The Detective" **
15. "Ariel"
16. "Death & Co."
17. "Magi" **
18. "Lesbos"
19. "The Other" **
20. "Stopped Dead" **
21. "Poppies in October"
22. "The Courage of Shutting-Up" **
23. "Nick and the Candlestick"
24. "Berck-Plage"
25. "Gulliver"
26. "Getting There"
27. "Medusa"
28. "Purdah" **
29. "The Moon and the Yew Tree"
30. "A Birthday Present"
31. "Letter in November"
32. "Amnesiac" **
33. "The Rival"
34. "Daddy"
35. "You're"
36. "Fever 103°"
37. "The Bee Meeting"
38. "The Arrival of the Bee Box"
39. "Stings"
40. "Wintering"

Additional poems included in her manuscript

1. "The Rabbit Catcher"
2. "Thalidomide"
3. "Barren Woman"
4. "A Secret"
5. "The Jailor"
6. "The Detective"
7. "Magi"
8. "The Other"
9. "Stopped Dead"
10. "The Courage of Shutting-Up"
11. "Purdah"
12. "Amnesiac"

Reception

Marjorie Perloff said in her article, "The Two Ariels: The (Re)making Of The Sylvia Plath Canon” that “The fact remains that Plath herself had arranged the future Ariel poems ‘in a careful sequence,’ plotting out every detail including the first and last words of the volume." Another critic remarked that “her poetry would have been valuable no matter what she had written about.” A very accurate description of Plath, considering her form of poetry was notorious for being dark and questionable among her readers. On January 16, 2004, The Independent newspaper in London published an article that ranked Ariel as the 3rd best book of modern poetry among 'The 10 Best Modern Poetry Books.'

Awards

• 1982 - Pulitzer Prize for Poetry

Analysis

Upon analyzing the collection of poems along with considering her other work, it is concluded that like her other poems, "Ariel" is "highly autobiographical, psychological and confessional poem."

External links

• Slate.com article about publication of restored Ariel
• collection of articles on the new edition
• After Ariel: Celebrating the poetry of the women's movement by Honor Moore in the Boston Review
• Ariel at the British Library
• The Complete working papers for poem 'Sheep In Fog' at the British Library